The End of Summer by
On the last day of summer, a father tries to get his 10-year-old daughter to accept a new life with her mother, who doesn't see the beauty of watermelons falling from the sky.
This 10-minute play requires two actors, some watermelons and not much else. The sight of watermelons falling from the sky can be depicted in a way most suited toward the production. Though Man and Girl are in...
This 10-minute play requires two actors, some watermelons and not much else. The sight of watermelons falling from the sky can be depicted in a way most suited toward the production. Though Man and Girl are in...
On the last day of summer, a father tries to get his 10-year-old daughter to accept a new life with her mother, who doesn't see the beauty of watermelons falling from the sky.
This 10-minute play requires two actors, some watermelons and not much else. The sight of watermelons falling from the sky can be depicted in a way most suited toward the production. Though Man and Girl are in different locations, they are connected in other ways.
The End of Summer was developed in an exercise created by Heather McDonald and Cathy Norgren during the Kennedy Center Advanced Playwriting Intensive, and the author thanks both of these artists for their inspiration. The exercise involved two photographs and the creation of a Haiku.
This 10-minute play requires two actors, some watermelons and not much else. The sight of watermelons falling from the sky can be depicted in a way most suited toward the production. Though Man and Girl are in different locations, they are connected in other ways.
The End of Summer was developed in an exercise created by Heather McDonald and Cathy Norgren during the Kennedy Center Advanced Playwriting Intensive, and the author thanks both of these artists for their inspiration. The exercise involved two photographs and the creation of a Haiku.