Jen Silverman

Jen Silverman

Jen Silverman is a playwright, novelist, and screenwriter. Plays include Spain; Collective Rage: A Play in 5 Betties; The Moors; The Roommate; Witch, and Highway Patrol. Books include the novel We Play Ourselves and story collection The Island Dwellers; Jen’s next novel There’s Going to be Trouble is forthcoming from Random House in 2024. Jen is a three-time MacDowell Fellow and a member of New Dramatists. Jen...
Jen Silverman is a playwright, novelist, and screenwriter. Plays include Spain; Collective Rage: A Play in 5 Betties; The Moors; The Roommate; Witch, and Highway Patrol. Books include the novel We Play Ourselves and story collection The Island Dwellers; Jen’s next novel There’s Going to be Trouble is forthcoming from Random House in 2024. Jen is a three-time MacDowell Fellow and a member of New Dramatists. Jen also writes for TV and film. Honors include fellowships from the National Endowment for the Arts and the Guggenheim.

Plays

  • The Roommate
    Recently divorced and living in an old house in Iowa, Sharon finds a sensible roommate like herself—a woman in her fifties—to make ends meet. But she quickly learns that Robyn is a fugitive of sorts, who couldn’t be further from the ladies in her book club. As both women become close, each recognizes in the other an overwhelming desire to transform her own life. But the only question is: what will be the price...
    Recently divorced and living in an old house in Iowa, Sharon finds a sensible roommate like herself—a woman in her fifties—to make ends meet. But she quickly learns that Robyn is a fugitive of sorts, who couldn’t be further from the ladies in her book club. As both women become close, each recognizes in the other an overwhelming desire to transform her own life. But the only question is: what will be the price of that transformation. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off.
  • COLLECTIVE RAGE: A PLAY IN 5 BETTIES;IN ESSENCE A QUEER & OCCASIONALLY HAZARDOUS EXPLORATION; DO YOU REMEMBER WHEN YOU WERE IN MIDDLE SCHOOL AND YOU READ ABOUT SHACKLETON & HOW HE EXPLORED THE ARCTIC?;IMAGINE THE ARCTIC AS A PUSSY & IT’S SORT OF LIKE THAT
    Betty is rich. Betty is lonely. Betty’s a dutiful wife, but Betty’s busy working on her truck. Betty wants to talk about love, and Betty wants Betty, but Betty needs to hit something. And Betty keeps using a small hand mirror to stare into parts of herself she’s never examined. Meanwhile, Betty decides to stage a production of that play-within-a-play from…what’s it called? Summer’s Midnight Dream? In Collective...
    Betty is rich. Betty is lonely. Betty’s a dutiful wife, but Betty’s busy working on her truck. Betty wants to talk about love, and Betty wants Betty, but Betty needs to hit something. And Betty keeps using a small hand mirror to stare into parts of herself she’s never examined. Meanwhile, Betty decides to stage a production of that play-within-a-play from…what’s it called? Summer’s Midnight Dream? In Collective Rage, five different women named Betty collide at the intersection of anger, sex, and the “thea-tah.”
  • The Moors
    Two sisters and a dog live out their lives on the bleak English moors, and dream of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
  • Wink
    Sofie is an unhappy housewife. Gregor is her bread-winning husband. Dr. Franz is their psychiatrist. Wink is the cat. And Gregor has just skinned the cat. Violent desires, domestic terrorism, and feline vengeance at any cost make WINK a dark comedy about the thin, thin line between savagery and civilization.
  • Phoebe In Winter
    When three brothers return home from a distant war, they prepare to settle into their old lives. But a knock at the door yields a girl named Phoebe who accuses them of killing her own three brothers, and demands reparations—that they must become her new family instead. As Phoebe's presence changes the very structure of their family, a war that was once far away now threatens to re-ignite inside their home.