The key to longer pieces for me is to make them addictive, drawing the audience in until they are desperate to know where the story is leading or what the next turn is. That is what Tina has done exceedingly well here. You, as an audience member, are given the chance to be a fly on the wall in this intimate setting that is interjected by tension, emotions, and secrets. Coupled with that, it also offers a great chance for an older actress to embrace the complexity and curiosity that is Jane!
The key to longer pieces for me is to make them addictive, drawing the audience in until they are desperate to know where the story is leading or what the next turn is. That is what Tina has done exceedingly well here. You, as an audience member, are given the chance to be a fly on the wall in this intimate setting that is interjected by tension, emotions, and secrets. Coupled with that, it also offers a great chance for an older actress to embrace the complexity and curiosity that is Jane!