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Recommendations

Recommendations

  • Nelson Diaz-Marcano:
    6 Mar. 2018
    A hilarious yet heartbreaking tale of the sacrifices women and people of color have made to get where we are. A clever play that uses wit to explain the weight of history and delightful characters so we can live it. As the play progresses the more invested we are and by the end, it feels like we are leaving family. I hope I can see a production of this play one day soon!
  • Matthew Weaver:
    26 Jul. 2017
    Wow. Wow. Amazing, astounding, astonishing and accomplished all in one breath. Historically honest and pure fun at the same time, from beginning to end. Johnson writes smart, compelling, SMART, lovable characters, and we as readers/viewers are putty in her hands.I especially adore that she allows her characters to figure things out. A pleasure. Exceptional. Please, Michelle, write more things!
  • Hal Corley:
    14 Jul. 2017
    This funny, heartfelt, remarkably agile, and finally provocatively subversive play is a genuine beauty, built on a compelling construct, a wine and book club sojourn vs time-capsuled denizens of a 1940s brothel. Marie, our richly drawn, multifaceted protagonist meets her match in Bertha, who has an August Wilsonian world-weary grace. The mix of bewilderment and curiosity as these two school one another in the tropes and threats of Jim Crow vs. 2017 is masterful. Time travel itself is the ultimate poetic metaphor, a building riff until suddenly the journey deepens, making our experience of these shared worlds even fuller. Extraordinary.
  • Donna Hoke:
    11 Jul. 2017
    What a pleasure to spend time with these five wonderful women! When all we know of the past are the things we feel are best left behind, we reduce those times to labels and worst case scenarios that overshadow the moments and love that make up lives. With humor and poignancy, THE GREEN BOOK... reminds us that there's always a little something sacrificed for progress, a bit of cognitive dissonance in keeping with a play about time travel.

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