The Drowning Pool is a fictional tale inspired by Drekkingarhylur, “The Drowning Pool” in Þingvellir anglicized as Thingvellir, in Iceland. Set in the infamous “Golden Circle”, The Drowning Pool is a body of water that was used to execute women from 1602 – 1750 who were accused of fornicating, committing adultery, having illegitimate children and/or abandoning their children. These drownings were legal...
The Drowning Pool is a fictional tale inspired by Drekkingarhylur, “The Drowning Pool” in Þingvellir anglicized as Thingvellir, in Iceland. Set in the infamous “Golden Circle”, The Drowning Pool is a body of water that was used to execute women from 1602 – 1750 who were accused of fornicating, committing adultery, having illegitimate children and/or abandoning their children. These drownings were legal punishment for their moral crimes
6 BIPOC women, 1 white woman. 7 actors playing 9 characters.
This MUST be an ethnically diverse cast.
Gender and ethnic assignments MUST be adhered to. NO EXCEPTIONS!
The characters REPRESENT specific countries, but are not necessarily FROM those countries.
SURI
18-25,
Latinx
,
Female
Innocent and naïve about both love and law. But strong in her convictions for truth and justice.
Crime: Adultery. Represents South America.
Can be played by:
Age:
20s
Race/Ethnicity:
Latinx/o/a or Hispanic
Gender:
Female
KENYA
30's - 40's ,
African / African American / Black
,
Female
The strongest mentally and physically. Wise and usually the voice of reason. She is the den mother. The Constables usually leave her alone because she shows the other prisoners the ropes.
Crime: Child Abandonment. Represents Africa.
Can be played by:
Age:
30s, 40s
Race/Ethnicity:
Black, African, Caribbean, or African American
Gender:
Female
VICTORIA
30's - 50's,
BIPOC
,
Female
The feistiest of all of the women, with the longest “tenure”. She’s become less caring and more jaded, because of her circumstances.
Crime: Adultery/forced homosexuality. Represents Australia.
Can be played by:
Age:
30s, 40s, 50s
Race/Ethnicity:
Any actor of color
Gender:
Female
JORDAN
20s - 30s,
East Asian, South Asian
,
Female
The quietest and most accepting of her fate. She only speaks when absolutely necessary. The “weakest” personality from the perspective of the other characters. Crime: Adultery. Represents Asia.
Can be played by:
Age:
20s, 30s
Race/Ethnicity:
Asian, Pacific Islander, or Asian American, Middle Eastern, North African, or Arab American, South Asian or South Asian American
Gender:
Female
ADÉLIE
20-35,
BIPOC
,
Female
The one woman most afraid of her doom. Still hopeful that she may be released; the most compliant to the guards’ demands. Crime: Adultery. Represents Antarctica.
Can be played by:
Age:
20s, 30s
Race/Ethnicity:
Any actor of color
Gender:
Female
ESTONIA
20s - 30s,
BIPOC
,
Female
She’s the first to die. We don’t know much about her except she is terrified of her fate and that she was sentenced to death, carried out in 30 days (Doubles as Brady). Crime: Adultery. Represents Europe.
Can be played by:
Age:
20s, 30s
Race/Ethnicity:
Any actor of color
Gender:
Female
ELIZABETH
30s - 40s,
White
,
Female
Disciplined to be submissive. Buys into “the role of the woman”. Her status as a wife, her husband’s status in the community, and their privileged lifestyle are very important to her. (Doubles as Bobby).
Can be played by:
Age:
30s, 40s
Race/Ethnicity:
White
Gender:
Female
Constable Brady
Constable Brady is one of two “corrections officers” who oversee the dungeon. BRADY is more sadistic, compared to Bobby in his treatment of the prisoners. The guards’ faces and hands must not be able to be seen for two reasons: 1. Double cast with Estonia and 2. Making them faceless takes away some of the human aspects of the individuals.
Can be played by:
Age:
30s, 40s
Race/Ethnicity:
Any actor of color
Gender:
Female
Constable Bobby
Bobby is one of two “corrections officers” who oversee the dungeon. Believes he is the caring one of all of the guard. The guards’ faces and hands must not be able to be seen for two reasons: 1. Double cast with Elizabeth and 2. Making them faceless takes away some of the human aspects of the individuals.
Can be played by:
Age:
30s, 40s
Race/Ethnicity:
White
Gender:
Female
Development History
Reading
,
African American Shakespeare Company / Bagwell Consulting