Based on a true story: Evaline is an enslaved woman whose daughter, Hettie, has been taken hostage by her Master to ensure Evaline does not reveal to Sherman’s Army the gold she has helped hide on the property. Evaline’s mistress, Rebekah, assures Evaline that she was against the idea, and is sure that her father will return Hettie safely once the danger has passed. Cobb is a poor rebel deserter and Brock, a...
Based on a true story: Evaline is an enslaved woman whose daughter, Hettie, has been taken hostage by her Master to ensure Evaline does not reveal to Sherman’s Army the gold she has helped hide on the property. Evaline’s mistress, Rebekah, assures Evaline that she was against the idea, and is sure that her father will return Hettie safely once the danger has passed. Cobb is a poor rebel deserter and Brock, a wealthy, oafish escaped Union officer, both of whom Evaline is harboring as part of a network among slaves in the South that helps escaped Union soldiers and Confederate deserters alike. But Evaline does not know that Cobb has learned of the treasure; indeed, he has come to find it, with Brock’s help if he can persuade him. As the play progresses, all four must decide whom they can trust, as past lies and past sins are discovered or confessed.
America today has never been so polarized and this play traces much of that polarization back to the Civil War. The piece attempts to show the tensions running through America as that war drew to a close, as well as the terrible price that slavery exacted first and foremost on the enslaved, as well as on the soul of the nation. The play also considers the role that class and wealth played (and still play in the same ways) in American life; how those in power turned (and still turn) poor whites against African-Americans to preserve their place in the hierarchy; and how class might have provided (and could still provide) a fault line different from race on which American politics could be based. That said, human stories, rather than polemic, remain at the heart of this play.
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When Herod Came To Georgia
Recommended by
Cheryl Bear:
21 Jul. 2021
“
A revealing look at the cost of slavery on those affected and the soul of our nation as people were pitted against each other in their fight to survive. Well done. ”
Straton Rushing:
18 Apr. 2020
“
McLindon has a solid piece here. The small nuanced discussion of race in late-Civil War Georgia is very well done. However, this script's real punch comes from its ability to build tension and set up great circumstances for these characters to live in. Very original, very smart writing. ”
BROCK . . . . . . . . . . . . . WHITE MALE, A LIEUTENANT IN THE UNION ARMY AND ESCAPED PRISONER, TWENTIES TO THIRTIES
REBEKAH . . . . . . . . . . . WHITE HEIRESS, ABOUT EVALINE’S AGE
COBB . . . . . . . . . . . . . . WHITE MALE, DESERTER FROM THE CONFEDERATE ARMY, TWENTIES TO THIRTIES
Rebekah
Early 20s,
White
,
Female
A plain-looking, stout, resolute powerhouse of a woman who has found a way to control his destiny and her family's property in the Civil War South.
Can be played by:
Age:
20s
Race/Ethnicity:
White
Gender:
Female
Evaline
Early 20s,
African-American
,
Female
EVALINE is an enslaved woman trying to keep herwself and her child safe as Sherman's Army sweeps through Georgia. Her words and actions are subservient, but only to the extent her situation demands. While much subservience is required, she is adept at walking up to the line without crossing it. She is a survivor and a fighter.
Can be played by:
Age:
20s
Race/Ethnicity:
Black, African, Caribbean, or African American
Gender:
Female
Cobb
20s to 30s,
White
,
Male
A rebel deserter, who is through with the war and military protocol, and determined to make it home to save his starving family. He is sardonic, casually racist, and unimpressed by Yankee officers and white planters alike.
Can be played by:
Age:
20s, 30s
Race/Ethnicity:
White
Gender:
Male
Brock
Mid-20s to mid-30s,
White
,
Male
Brock is a lieutenant in the Union Army and an escaped prisoner of war, good-looking, rakish, profoundly selfish, and a bit of a fool, or so it seems.