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Blanche & Stella: A Sequela by A.A. Brenner

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  • Dani Stoller:
    9 Jan. 2023
    “ This. Play. Holy cr*p this play! I was so incredibly surprised, excited, heartbroken, and put back together again. I am just...the level of creativity here is off the charts. You should 1000% read this play. And then read it again to pick up on all the stuff you missed. ”
  • Dave Osmundsen:
    1 Jan. 2023
    “ A thoroughly entertaining and devastating play that works on multiple levels. There is much overlap and conversing with Tennessee Williams’ seminal classic. However, A.A. Brenner has created unique, compelling characters here that stand on their own apart from “Streetcar.” More importantly, this play explores with keen insight the impacts of visible and invisibility on our lives without the characters being solely defined by their disability—they are rich, flawed, and complex human beings with the desire to be seen for who they are. The beauty of this play is that it gives them that space. ”
  • Riley Elton McCarthy:
    14 Jul. 2021
    “ Oh gosh, where to begin? First off, the choice to call this a "sequela", or "an aftereffect of a disease, condition, or injury", or "a secondary result"... just hits every single beat of this play all the way through. This play is not just about chosen sisters, it is a SISTER play to Streetcar down to the fiber of its being while being irrevocably original, unique, and bitingly painful. And that ending! I'm going to be thinking about this play for a while. How badly I want to see it staged... ”
  • Shaun Leisher:
    28 May. 2021
    “ By exploring the relationship of Stella Kowalski and Blanche DuBois through a modern, queer and disabled lens, Brenner has crafted a piece of theatre that deserves to be studied and produced alongside Streetcar. This play is a cry in support of a theatre that investigates the "classics" and not just keep them protected in wax museum productions. By centering BIPOC, queer and disabled actors, this play makes a case for not just inclusive casting of these older plays but re-writing them entirely. ”