“ This is a smart and surprisingly funny look at casting the role of Anne Frank in a production that seems unlikely to address any historical context of her brief life. So timely given the current trend of not teaching history that might make someone feel bad. Ultimately, like the three Annes, we’re asked to reflect on who she was and the harsh reality of her story. I hope this play will receive more exposure and encourage conversation. Well done. ”

“ Wry, sharp-toothed, and keenly aware of faux-progressive theater, this play is a can't-look-away exploration of three actors being told to embody the "perfect victimhood" of Anne Frank while interrogating their own relationships with her mythos. I love this refreshing, irreverent, and deeply interesting play! This script would *shine* onstage while stirring up some fascinating conversations in the audience. ”

“ What a stunning play. So inherently theatrical and thought-provoking. Funny and poignant. A memorable exploration of how we turn people into symbols for our own use, how we struggle to process trauma and tragedy, how we grapple with our identity and how we identify others. Just love this! ”

“ Really phenomenal work. THREE ANNE FRANKS delves into identity, idolization, and the oddity and warping that can happen through only taking the parts we want from history. I love how bizarre Macdonald takes the script, and how she uses humor while tackling a subject we're told never to laugh at. But the beauty is that we're never laughing at Anne Frank or the Holocaust with THREE ANNE FRANKS, just the Disneyland-like change the subject goes through so that it can be "relatable" to modern audiences. ”