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Recommendations

Recommendations

  • Jessica Feder-Birnbaum:
    7 Apr. 2021
    ROB, the priest, finds meaning in the death of his mentor/priest LARRY (a practical joker) by hearkening back to the relationship between JESUS and LAZARUS. ROB allows his vulnerability to show as he grapples with tragedy. This is a most moving, and humanizing monologue.
  • John Busser:
    7 Aug. 2020
    A touching reminder that Christ was a man with all the fears of man. Bringing this truth to modern day and a recent past memory of a shooting brings home the point that we are all mortal and should treat life like the true gift it is. This is a wonderful monologue for an actor while being about a horrific subject. Jennifer O'Grady has written a simple but important piece about mortality.
  • Kendra Augustin:
    31 Jul. 2020
    I don't think I've ever learned about Jesus being afraid of dying and just that revelation in the opening had me hooked. This idea that the man that people worship had a fear that so many of us mere mortals have. In the end when the character asks "What if it had been Lazarus?" And I could vividly see Jesus looking to share his curiosity with his pal and being gutted with the news of the loss of his friend. So when the speaker says he's only human I think, Oh yeah. Jesus sort of was too.
  • Barrett Nightingale:
    2 Jun. 2020
    This is the kind of monologue that an actor can really sink his teeth into. When this piece isn't ripping your heart out, it is funny in a very human way, the story of a couple of priests just having a fun conversation. This makes the tragedy of the piece all the more poignant.
  • Scott Sickles:
    30 Dec. 2019
    What I find most fascinating about tragedy and trauma is how they resonate over time and distance... how they stays with us alongside happiness and triumph. There’s a symbiosis between great love and great loss in “Only Human,” that brands the heart, sharing both the tragedy being remembered and the happiness inspired by the person who was taken away. The monologue also confronts how being near a tragedy affects one differently than if one had directly been part of it while it happened. All this is examined through a spiritual lens that is deeply and individually personal. Beautiful!
  • Mekdelawit Keller:
    10 Dec. 2019
    Absolutely haunting. Guns know no christ. We see leaders of churches as powerful beings, some of which kinda dont seem human. They feel, we all feel. This monologue takes the Bible and questions it like anyone would after a shooting, but through the mouth of someone who believes in the Bible from its core. Powerful.
  • Doug DeVita:
    4 Dec. 2019
    Breathtaking in its simplicity, and gut-wrenching in its humanity, this is a beautiful monologue about an all too common occurrence these days, written with O'Grady's customary elegance and style. Moving, and unfortunately, necessary.
  • Cheryl Bear:
    2 Jul. 2019
    How are we to respond in the face of gun violence? How accepting must we be called to be when our own lives hang in the balance? Love and self-preservation lie in delicate balance. Excellent piece.
  • Emily Hageman:
    17 Apr. 2019
    An absolutely breathtaking piece. O'Grady has such a gift for storytelling and character and doing so much with so little. This feels so real--every bit of it. It's written from such a place of raw honesty and truthfulness. It is somehow simultaneously delicate and fragile while being incredibly powerful and demanding of attention. One of the best monologues I've ever read.
  • Greg Burdick:
    18 Feb. 2019
    Jennifer O'Grady has penned a powerful monologue examining survivor's guilt, and the limitations of man when confronted with gun violence. This short play, despite its traumatic subject matter, features strong flashes of humor and humanity. An excellent addition to Code Red Playwrights' latest offering of shorts.

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