“ Vincent Terrell Durham has pulled off something very impressive with this one. He delves into police violence, well-intentioned white people, and endangered species with humor, nuance, and a cast of characters who feel like real, complex people. The dialogue is razor sharp. I thoroughly enjoyed this play. ”

“ Excellent! Durham manages to excoriate white supremacy, gentrifiers, and virtue signalers while still showing us flawed and complex characters who aren't all good or bad. The sharp and satiric humor is perfectly pitched and equal parts cringeworthy and all-too-familiar. In Tom, Molly, and Peter, we see three super different but equally harmful images of white liberalism. The endangered species motif threaded throughout is quite potent as well. The final exchange between Jaquan and Elijah is gutting, quiet in its power, and an effective punctuation mark for the piece. Wonderful, essential work. ”

“ Vincent's eye and ear is tip top and what he points them in concert toward and at is both timely and much needed, without being fleeting or coming across as an easily dismissed "issue-play." He doesn't try and make us comfortable. He is a voice of our theater and our time. ”

“ What a powerful, moving play. The playwright has a mastery of pacing, building tension and using a sense of humor that stems organically from well-drawn, rich characters. The play elicits a lot of emotion, and stays with the reader long after it's over. Every theater should consider this play. As entertaining as it is relevant. ”