Today's struggles aren't that different from the 1950s and '60s for a young girl pursuing her dream to be a visual artist. With the aid of her mentor, Wonder Woman, Suki jumps time, escaping the smothering '50s and her conservative New England town, landing at a college where her dreams can be fulfilled. Except, civil rights activism and a majorly sexy guy distract her. No, I won't have sex. No, I will focus. Good luck. Despite Wonder Woman's warnings, Suki finds herself quitting college and getting married. After an aborted stint in the Peace Corps, she finds herself in a rural town in a rundown house with a baby, no money and a jealous husband who loves her but values his antique car above all else. Suki sneaks. She lies. She goes from emotional and open to closed and super organized in order to stay on top of things as her husband's mental stability spins out of control. She does everything she can to keep painting. Eventually, he cracks and attacks her physically. She leaves in order to save herself and her baby daughter even though she knows this will in all probability cause him to kill himself. She returns to her hometown to rest, absorb what was good that she turned aside before, and to begin again. The townspeople have been invading her thoughts all along, but also watching out for her. (Based on true stories.) (Note: To avoid confusion - early recommendations below were written for early drafts of the play.)