“ Though our sympathies align with Charles Gilpin, Pender has crafted a layered and nuanced double portrait of both Gilpin and Eugene O'Neill. The power imbalance of race and money is always present, both artists are dedicated to their craft, believers in the social value of their art, convinced that they know best, and both high-functioning alcoholics, yet their mutual respect and admiration for each other’s artistry feeds into their mutual neediness for respect and admiration, bringing them together and setting up the eventual clash. I reviewed N for Washington City Paper: https://washingtoncitypaper.com/article/538906/n-offers-a-nuanced-look-at-charles-sydney-gilpin-eugene-oneill/ ”

“ This well-researched play follows Charles S. Gilpin as he grapples with the role of Brutus in O'Neill's THE EMPEROR JONES. Although universally lauded for his acting skill, Gilpin experiences an anguished struggle with O'Neill's stereotypical depiction of the character, demeaning dialogue, and use of the "N" word. Adrienne Pender illustrates this artistic and personal discord beautifully and powerfully. Gilpin's wife is also caught up in his clash of conscience and artistry, and she is expertly portrayed. An unusual play illustrating theatre and race in the US from a black actor's viewpoint. Highly recommended. ”