“ A beautiful piece in its dual simplicity and profundity. What begins as a clash between "ostensible friends" with grave fundamental ideological differences becomes a poignant and terrifying parable about the dangers of fundamentalist thought. The increasingly ominous atmosphere heightens the stakes and that tension is made more effective by the fact that there aren't histrionics or huge emotional fireworks on display--just little seismic ripples that reveal each characters' truths beneath everyday pleasantries and coworker relations. Each character here is beautifully realized and voiced. I would love to see this onstage to even just view its amazing final scene alone! ”

“ A clever, frightening drama about the distinctions we make between the personal and the ideological. Gatton's characters are complex and recognizable. The torment they experience -- at the hands of others and themselves -- is palpable. As superhuman forces aggravate the rifts in their relationships and push them past the bounds of polite society, ALEXANDRIA offers a uniquely 21st-century perspective on diverse friendships in divisive times. An intense and rewarding Pride Month read. ”

“ Evil is most insidious when it has a kind face, a calm voice, and words of love to make its agenda seem reasonable to the people it's trying to destroy. In ALEXANDRIA, the subject of the Lord comes up and suddenly bigotry isn't personal, self-defense seems intolerant, and "agreeing to disagree" is a lethal trap! It gets you thinking while you're watching it, talking when you're done, and sticks with you long after. And it will help you determine which Christians truly love their neighbors and which just say they do. ”