“ A gripping tale, cellular and celestial, boundlessly imaginative yet so achingly *human* - Rowland's play unfolds like a mystery, each page asking questions and pulling me deeper into the world. There's a symphonic quality to what she pulls off here, the rise of tensions, the pace and reveals. It's spacious and close - The way, in the days and weeks and months (and years) after a loss, the world, the sky, the day, looks different. Just a beautiful piece. ”

“ Wow! Beautiful, funny, heartbreaking work that bends genre/reality while still being immensely human. Rowland explores grief, relationships, and emotional self-sabotage with two nuanced, complex central characters. I was most amazed at the tightrope walk between hilarity and tragedy that this play navigated throughout. The surprising yet seamless transitions, dreamlike moments, and at times heightened text and world also felt supremely theatrical--the bold stage pictures stuck with me and made me yearn to see this on its feet in the hands of a creative director and design team. A wonderful challenge for artists on and offstage alike. ”

“ I had the pleasure of sitting in a workshop room for this play and every moment of this script is a delicious blend of comedy and heartbreak. There is nothing I like more than a play that uses magic to illustrate a deep interior human experience. This play does just that. ”

“ I had the opportunity to see a staged reading of this beautiful and unique script at The Last Frontier Theatre Conference in Valdez. It is sad, funny, and completely magical. I very much hope that I have the opportunity to see a full production in the future. ”