←Recommendations of TBA

An intimate, nuanced piece populated by some fascinating characters! The exploration of the question of who has the right to tell certain stories, specifically ones based off of real people, is complex and approached from many different angles. The potent conflict between Finn and Silas is juxtaposed so intriguingly to Silas' connection with Maxie. The spare beauty of the language felt, at once, wholly naturalistic while also extraordinarily poetic. Carla is a master as building multi-faceted central characters whose actions you question just as much as you desire for them to succeed and be ok.

What a beautiful play this is! A reclusive writer on the cusp of his big break is working on a book of short, autobiographical stories which are going to make him a star - until things start to go wrong. "TBA" explores the fine line between fact and fiction in such an interesting way, and it doles out information in tiny, tantalizing morsels as the play progresses. Before I knew it, I had reached the end. It hooked me from start to finish!

I might be biased since I played Finn in the original production of TBA... But this play is a knockout. A masterclass in storytelling with the most beautiful dialogue I've ever had the privilege of embodying as an actor. To me, this is a classic in identity plays. I cannot recommend this play enough!

An incredible exploration into the stories of a writer looking closely at the affect of relationships on his identity and ability to create. When his brother comes, things get much more complicated. What is real, what is fiction and how does this play out for himself and his relationships? Captivating and well done.