Pete Danelski

Pete Danelski

(he/him) Director, producer and writer, based in D.C.

Plays

  • Adam the Creator adapted by Peter Danelski and Megan Diehl
    Adam, out of frustration with the corrupt state of humanity, takes to the public square where he negates all of existence and is then charged with the re-creation of the universe. Adam ventures to build a new, better world by attempting to create the ideal man, woman, and companion from a pile of clay and the breath of life. Grappling with the inherent struggles that come with implementing his ideals in reality...
    Adam, out of frustration with the corrupt state of humanity, takes to the public square where he negates all of existence and is then charged with the re-creation of the universe. Adam ventures to build a new, better world by attempting to create the ideal man, woman, and companion from a pile of clay and the breath of life. Grappling with the inherent struggles that come with implementing his ideals in reality, he creates his own Alter Ego, who in turn engages him in a challenge to create the ideal society. Soon after, Adam and Alter Ego lose control of their creations who are now at war with each other for ultimate power. Years later, Adam and Alter Ego return to the scene of their creation to learn that though they are being worshipped, they have not managed to improve the condition of the human race. Through his attempt to create a quintessential society from his own solitary existence, Adam glimpses the inherent value of life and the beauty of humanity despite all its flaws.

    First written in 1929 by Karel and Josef Čapek, Adam the Creator is a "translaptation" by Peter Danelski and Megan Diehl, renewing this often forgotten parable with a uniquely American voice.

Recommended by Pete Danelski

  • RED BIKE
    13 Aug. 2020
    I love this play.

    I haven't been able to get RED BIKE off my mind since finishing it. All at once it's simple, full of depth and complexity. It's a mesmerizing landscape of poetry, images and memory. The play wrestles with class, change, hope and fear in a visceral way. I found myself feeling deeply alongside the central character, bouncing back and forth between agency and powerlessness. The nature of the text and the versatility of Caridad's writing leaves the piece open to so many possibilities.

    I'm so excited for the long, long life ahead of this play.