Michael Hollinger

Michael Hollinger

Michael Hollinger’s previously produced plays include Under the Skin, Ghost-Writer, Opus, Tooth and Claw, Red Herring, Incorruptible, Tiny Island, and An Empty Plate in the Café Du Grand Boeuf, all of which premiered at Philadelphia’s Arden Theatre Company and which have together enjoyed numerous productions around the country, in New York City and abroad. Work premiered elsewhere includes: Hope and Gravity at...
Michael Hollinger’s previously produced plays include Under the Skin, Ghost-Writer, Opus, Tooth and Claw, Red Herring, Incorruptible, Tiny Island, and An Empty Plate in the Café Du Grand Boeuf, all of which premiered at Philadelphia’s Arden Theatre Company and which have together enjoyed numerous productions around the country, in New York City and abroad. Work premiered elsewhere includes: Hope and Gravity at Pittsburgh’s City Theatre; a new translation of Cyrano (co-adapted with Aaron Posner) at the Folger Theatre in Washington, D.C.; and the musical A Wonderful Noise (co-authored with Vance Lehmkuhl) at Colorado’s Creede Repertory Theatre. Upcoming premieres include the new musical TouchTones (co-authored with composer Robert Maggio) at the Arden in October, 2017, and the new play Sing the Body Electric at Philadelphia’s Theatre Exile in April, 2018. Awards include a Steinberg New Play Citation from the American Theatre Critics Association, a Los Angeles Drama Critics Circle Award, a Mid-Atlantic Emmy, an Edgerton Foundation New American Plays Award, four Barrymore Awards (including the F. Otto Haas Award for an Emerging Theatre Artist), nominations for Lucille Lortel and John Gassner awards, and fellowships from the Independence Foundation, Mid-Atlantic Arts Foundation and Pennsylvania Council on the Arts. Michael is a Professor of Theatre at Villanova University, where he received his MA in Theatre, and a proud alumnus of New Dramatists. He shares a life with actor/educator Megan Bellwoar, and their children Benjamin and Willa.