My full-length plays tend to straddle genre—they're filled with humor, love, and lightheartedness, but they tend to be quite dark in subject matter. They're best done with lots of projections and sound and very little set. (Not coincidentally, I often create projections and sound for them myself, and already have full designs for most of them that can be adapted or referenced.) They take place mostly online, but their scenes are nonetheless best-played face-to-face—inventive staging is their lifeblood.

My short plays tend to be farcical in nature; they've mostly been written for scrappy, low-budget, fun productions.