“ A wonderfully thought-provoking play about how the already complex faces of grief after a loved one's death are complicated by learning something terrible about the deceased. Johnson deftly explores how we can continue to love someone who's wronged us and how we can hold onto the good memories without erasing the ugly truths. And by far my favorite thing about this script is that, although these two female characters fight, the ultimate solution to their situation lies in recognizing that they're on the same side--not pitted against each other. ”

“ I attended the Mu/Penumbra production, debated it the whole way home with my spouse, and literally shrieked when I found it here. This script is *incredible.* It's a haunting (PUN INTENDED) and gut-wrenching meditation on displacement, home, family, culture, history, mental illness, and belief. It is also REALLY REALLY SCARY. There's so much delicious dialogue for performers to sink their teeth into, and designers will have a blast bringing the creepy effects to life. This one will stick with audiences long after the lights go down. ”

“ A lovely and haunting script about identity, history, and culture, and the desire to define ourselves expansively despite the small boxes the world tries to shove us into. As it moves through time and space, it offers performers, directors, and designers a rich opportunity to explore the moods and mores of different eras and cultures. Would make a powerful production for any theater company that wants to explore Asian American experience in the last half-century. ”

“ :cackles madly: This is a fun, fast-paced, and deeply satisfying tale of revenge and modern dating. An excellent two-hander for two young actresses. ”