Judy B. Goss

Judy B. Goss

Born in Dallas, Texas, Judy B. Goss is an Arkansas playwright living in Little Rock. After local awards for one-acts, she received an Arkansas Arts Council Fellowship in 2000 for her first full-length play, FAULT LINES, revised as RAPTURE. Over a decade and several scripts later, she wrote “T.O.T. for A.Y.P, or the Certifiable Teacher,” cuing her exit from teaching drama at Parkview Arts/Science Magnet High...
Born in Dallas, Texas, Judy B. Goss is an Arkansas playwright living in Little Rock. After local awards for one-acts, she received an Arkansas Arts Council Fellowship in 2000 for her first full-length play, FAULT LINES, revised as RAPTURE. Over a decade and several scripts later, she wrote “T.O.T. for A.Y.P, or the Certifiable Teacher,” cuing her exit from teaching drama at Parkview Arts/Science Magnet High School, where she sponsored the literary magazine and helped create "Tales of the Crypt," an living history performance by student writers and actors in Mount Holly Cemtery attended by 1,000+ people annually. She participated in the playwrights’ workshops at the Sewanee Writers’ Conference in 2009, 2010 and 2012 with mentors Lee Blessing, Beth Henley, Daisy Foote and Dan O’Brien. In 2011 she produced FIRST FAREWELL, her play based on Sarah Bernhardt's first appearance in Little Rock, at Argenta Community Theater (ACT) to a favorable review in the Arkansas Democrat-Gazette. The commissioned children’s play “Lost My Shoe to a Wallaroo,” was presented by Hendrix College Players to elementary students in 2013. ACT commissioned her to write the premiere stage adaptation of the classic film MRS. MINIVER, which played to sold out houses in 2015. She adapted A CHRISTMAS CAROL from Charles Dickens’s novel for ACT, and it played annually, 2017-19, and will be produced through 2021 by ACT. In 2018 Goss formed Rolling River Playwrights Collective with John Haman and Werner Trieschmann, and they collaborated with Arkansas Repertory Theatre on the pilot program Plays in Progress at the REP, which featured a public reading of her play LIFE SCIENCE. She recently drafted two one acts, "Swamps on Fire" and "Family Tree" during #EndofPlay sponsored by the Dramatists Guild, of which she is a member.

Plays

  • "Lost My Shoe to a Wallaroo"
    Freed from school, third graders and their eccentric teacher are startled to
    encounter some uncaged animals on a zoo field trip. The students find Juan, a wallaroo injured while boxing with his kangaroo cousin, Joe. Nosy Cockatoo’s squawks warn them as Joe bounces into view. Creating games to stop the fighting, the children must then hide the escapees to foil the zookeeper’s hunt for them. Extending...
    Freed from school, third graders and their eccentric teacher are startled to
    encounter some uncaged animals on a zoo field trip. The students find Juan, a wallaroo injured while boxing with his kangaroo cousin, Joe. Nosy Cockatoo’s squawks warn them as Joe bounces into view. Creating games to stop the fighting, the children must then hide the escapees to foil the zookeeper’s hunt for them. Extending play, they frolic in the pond until stunts turn dangerous. Rescues cement the unusual friendships created through wild imagination and tamed braggadocio. They part happily, anticipating another zoo adventure.
  • RAPTURE
    Seminary failed to train LaRuth to help her boss lead a revival for people rattled by earthquake predictions and fervent to support Desert Shield. A former Hot Springs bathhouse masseuse accustomed to “visualizing world peace,” she cringes at Jack’s charismatic marketing of faith and resists welcoming his old friend Lila, who’s bent on saving everyone for the Rapture. Reluctant to rig a giant American flag and...
    Seminary failed to train LaRuth to help her boss lead a revival for people rattled by earthquake predictions and fervent to support Desert Shield. A former Hot Springs bathhouse masseuse accustomed to “visualizing world peace,” she cringes at Jack’s charismatic marketing of faith and resists welcoming his old friend Lila, who’s bent on saving everyone for the Rapture. Reluctant to rig a giant American flag and run the mist machine, LaRuth sends up jokes rather than prayers. Unexpectedly invited to serve as a “hands on healer,” she’s shocked to see her faith in romance, thought forever lost, restored.
  • A CHRISTMAS CAROL, adapted from the classic by Charles Dickens
    A CHRISTMAS CAROL, perennial favorite by Charles Dickens, follows the redemption of the “grasping old sinner,” a greedy Ebenezer Scrooge. Warned by the ghost of his money changing house partner Jacob Marley, Scrooge is guided by spirits into his Christmases “past,” through the Christmas “present,” enjoyed fully by those he has wronged and the poor he has ignored, and into a vision of his lonely, frightful death...
    A CHRISTMAS CAROL, perennial favorite by Charles Dickens, follows the redemption of the “grasping old sinner,” a greedy Ebenezer Scrooge. Warned by the ghost of his money changing house partner Jacob Marley, Scrooge is guided by spirits into his Christmases “past,” through the Christmas “present,” enjoyed fully by those he has wronged and the poor he has ignored, and into a vision of his lonely, frightful death. Heart opened by past hope, love and regret, Scrooge’s joy for life and others bursts forth like church bells ringing on Christmas morning as he awakens.
  • LIFE SCIENCE
    Already anxious about her mother's recovery from cancer and her parents' separation, Phoebe fears that her mother’s public fight against teaching creation science will ruin her high school social life. Tragedy wed to inanity fuels Phoebe's struggle for joy through fresh romance. Chafing under her boyfriend's pious control, she triggers jealous violence against her new crush. Facing the stark...
    Already anxious about her mother's recovery from cancer and her parents' separation, Phoebe fears that her mother’s public fight against teaching creation science will ruin her high school social life. Tragedy wed to inanity fuels Phoebe's struggle for joy through fresh romance. Chafing under her boyfriend's pious control, she triggers jealous violence against her new crush. Facing the stark costs that the teens and their parents pay for survival, Phoebe embraces the complexities of life’s essential building block, relationships, as she realizes the nearness of death.