I was born and raised in Mendoza, Argentina – and even as a kid, I was passionate about storytelling, writing stories about dinosaurs and jungle explorers. After moving to Brazil, and graduating with a Bachelor's degree in Journalism, I worked in marketing for different corporations, specializing in social media and branded storytelling. Eventually, I chose to pursue my writing and was offered a fellowship at NYU’s Tisch School of the Arts, for an MFA in Dramatic Writing. At the program, I was cross-trained in play, screen, and television writing, and graduated with an Excellence Award.

I’m now living in Brooklyn and pursuing a cross-medium career that has thus far spanned plays, pilots, screenplays, a full season of a podcast, several short stories, magazine articles, and a few opinion pieces, as well as my first novel. My writing deals with themes of technology and AI, immigration and cultural identity, gender roles, and family trauma.

I’m passionate about opening doors for other artists, and I’ve served as a judge in panels for the New York State Council on the Arts’ Creative Opportunity Fund, Howard Gilman’s NYC Small Theatres Fund, Rattlestick Theater’s Global Forms Festival, the Princess Grace Awards, and The Playwrights Realm/Dyer Harris LLP’s International Theatermakers Award. I’m also the Marketing Manager at The Playwrights Realm, as well as a consultant and educator for Off and Off-Off Broadway companies like Woodshed Collective and Pipeline Theatre.

I’m a co-founder of the Immigrant Theatermakers Advocates initiative and have worked with institutions like The Playwrights Realm, New Dramatists, and the Princess Grace USA Foundation in crafting initiatives and policies that support immigrants and erase xenophobic barriers to entry. I’ve also written publicly about the issue in American Theatre Magazine, The Lak’s blog, and my own newsletter and served as a panelist on the subject for Rattlestick Theater’s Global Gab and the Theatre Communications Group’s National Conference.