Alaina Messineo

Alaina Messineo

Alaina Messineo (she/they) is an emerging Playwright, Poet, Lyricist, Director, and Dramaturg originally from Rochester New York. Recent Playwriting Credits include Jesus stole my birth control. (StudioTenn), Life(Chaos) (MadLab Theatre), Yolk (Spooky Action Theatre), and Water Doesn’t Kill (American Lives Theatre) (Spooky Action Theatre). Additional Playwriting credits include Peachtea (Artists Exchange),...
Alaina Messineo (she/they) is an emerging Playwright, Poet, Lyricist, Director, and Dramaturg originally from Rochester New York. Recent Playwriting Credits include Jesus stole my birth control. (StudioTenn), Life(Chaos) (MadLab Theatre), Yolk (Spooky Action Theatre), and Water Doesn’t Kill (American Lives Theatre) (Spooky Action Theatre). Additional Playwriting credits include Peachtea (Artists Exchange), Banana Bread Tastes Better When It’s Ripe (Obvious Child) (Quarantine Bakeoff), The Wheel (Marymount Manhattan College), Two Hearts (Manhattan Repertory Theatre) and Bad Beans (Geva Theatre). Directing Credits include Posers at (Manhattan Repertory Theatre) and Carrier Pigeon (Theatre for the New City). Her plays, poems, and monologues have been published in five Red Penguin Books; "the flower shop around the corner", "The Beauty Within Stories of Spirituality, Faith, and Love", "An Empty Stage", “the ocean waves”, and “the leaves fall”. Alaina is a proud member of the Dramatists Guild. She is a recent graduate of Marymount Manhattan’s BA Theatre program with a double concentration in Writing for the Stage and Directing and was the recipient of the Golden Key for Writing for the Stage.

Plays

  • THE WHEEL.
    After accidentally killing her husband, a Woman reclaims her fate by planting a tree inside of her home and eating an apple.
  • Jesus stole my birth control.
    A death, a rebirth, an orange, many many sections; peeled, separated, eaten, an orange is reborn, again, again, again...
  • SEEDS...
    A young child, Clover, goes on a journey with the help of a Deer to return Flower to the sea. Post-
  • the Jellyfish Play.
    Two immortal Jellyfish contemplate life and death.
  • THE ROYAL GARDEN
    Set in a Dystopian Fedualic future, The King, The Gardener and the Cow learn how to sow, mourn and let grow- the Roses need tending.
  • Banana Bread Tastes Better When It's Ripe.
    A woman falls in love with a wild turkey and divorces her husband whom
    she's been married to a week after wishing on a shooting star.
  • Peachtea
    A young boy named James goes on a journey to the sea.
  • Water Doesn't kill
    A mother attempts to communicate with her dead daughter through dreams and ends up drowning herself.

  • When the bee stings
    Set in a post-apocalyptic utopia, the government has turned to harvest energy from the youth.

  • Dowsing Rods.
    A house fire leads three souls whom died during the Black Plague to embark on a journey and dowse their reincarnated bodies amidst the Corona Virus Pandemic.

  • Rightsleft.
    The four founding fathers, in a room of clocks, try to re-write time, time and time again. Counterclockwise. Like a Monopoly game, but not even the banker wins, and everyone is in jail.
  • Golden boys stay up all night.
    A woman steals the golden rib.

    “The woman was made of a rib out of the side of Adam; not made out of his head to rule over him, nor out of his feet to be trampled upon by him, but out of his side to be equal with him, under his arm to be protected, and near his heart to be beloved.” -Matthew Henry


  • Two Hearts.
    Everett Thomas, the recipient of the first-ever successful human heart transplant, gets lunch with the father of the dead teenage girl whose heart has been transplanted inside of him.
  • Life(Chaos)
    A lyric word scape of the lives of fellow Artists Levi Kempf, Michele Bear, and Matthew Ferrera.
  • Yolk.
    A young couple debates their ability to have children.