Kimi Ramírez

Kimi Ramírez

Kimberly “Kimi” del Busto Ramírez is an interdisciplinary teatrista with an M.F.A. in Playwriting and a Ph.D. in Theatre & Performance specializing in dramatic work related to the Operation Pedro Pan exodus that transported their mother, aunt, uncle, and 14,045 other Cuban children to the United States. Kimi's original plays explore persistent social and intergenerational conflicts associated with...
Kimberly “Kimi” del Busto Ramírez is an interdisciplinary teatrista with an M.F.A. in Playwriting and a Ph.D. in Theatre & Performance specializing in dramatic work related to the Operation Pedro Pan exodus that transported their mother, aunt, uncle, and 14,045 other Cuban children to the United States. Kimi's original plays explore persistent social and intergenerational conflicts associated with Latinx heritage, veganism, gender, and education. Their dramatic writing has been presented at venues including Breath of Fire Latina Theatre, Teatro Luna, Repertorio Español, San Diego Repertory Theatre, Teatro del Pueblo, WOW Café Theatre, Nuyorican Poets Café, Teatro IATI, Primary Stages, Drama Book Shop’s Arthur Saleen Theatre, Hippodrome State Theatre, Latin American Theatre Today Festival, Edward Albee’s Great Plains Theatre Conference, Maieutic Theatre/MT Works, Southeastern Theatre Conference, 21st Century Playwrights Festival, Morris-Jumel Mansion with People’s Theatre Project, Tribeca Performing Arts Center with America-in-Play, Martin E. Segal Theatre, the Spoon Theatre, and Lower East Side Tenement Museum. Published versions of Kimi’s plays and monologues can be found in Label Me Latina/o: Journal of Twentieth & Twenty-first Century Literary Production, Basta!: Latinas Write on Gender Violence (University of Nevada-Reno Latino Research Center), Collages & Bricolages Journal of International Writing, Mother/Daughter Monologues (International Centre of Women Playwrights Press) and We-Us: Monologues for Gender Minority Characters (Smith & Kraus). They are a Professor for the City University of New York, a current member of The Dramatists Guild, The Players NYC, Macondo Writers Workshop, and Speranza Theatre Company’s Women[+] Playwrights’ Circle, and serve as a critic for Talkin’ Broadway and on the voting committee of the Lucille Lortel Awards in recognition of excellence in Off-Broadway theatre. An incurably homesick Miami native, Kimi can also be found simulating subtropical environments on their unusual New York City patio in midtown Manhattan.

Plays

  • Strange Angels: a dark comedy of miracles
    Junior mechanic Gab García aims to inherit the family car repair business instead of finishing school, but their conservative father blows a gasket when Gab reveals they are a nonbinary, vegan environmentalist. A rift between parent and child ruptures traditional cultural values and suspends the automotive garage in an uncanny lurch as they struggle to rebalance, reconcile, and re-establish bonds and boundaries...
    Junior mechanic Gab García aims to inherit the family car repair business instead of finishing school, but their conservative father blows a gasket when Gab reveals they are a nonbinary, vegan environmentalist. A rift between parent and child ruptures traditional cultural values and suspends the automotive garage in an uncanny lurch as they struggle to rebalance, reconcile, and re-establish bonds and boundaries. This dark comedy of miracles amplifies underrepresented intersectional Latine voices while resurrecting the Nobel Prize-winning Colombian author Gabriel García Márquez, remixing classic tales to dramatize universal conflicts associated with identity formation.
  • Hurricane in a Glass
    Trapped in a Miami nursing home during a howling hurricane, three generations of Cuban-American women struggle to preserve their fading culture. Ofelia, the matriarch, is stricken with Alzheimer's and thinks she's in Cuba; María José attempts to bring her down to earth with around-the-clock care; young Dolores wants to visit the island she has never seen, wondering if she will still feel "Cuban...
    Trapped in a Miami nursing home during a howling hurricane, three generations of Cuban-American women struggle to preserve their fading culture. Ofelia, the matriarch, is stricken with Alzheimer's and thinks she's in Cuba; María José attempts to bring her down to earth with around-the-clock care; young Dolores wants to visit the island she has never seen, wondering if she will still feel "Cuban" once abuela dies. The play poses important inter-generational perspectives from first, 1.5, and 2nd Generation Cuban-Americans and features strong roles for actresses of different ages.
  • The Mosquito Net
    A testimony play examining human rights controversies in contemporary Cuba and how information from the island is (mis)communicated, (mis)perceived, and (re)interpreted in the U.S. Narrated by a shapeshifting Conguero, the worlds of three Cubans collide: Blogger Yoani Sánchez struggles to transmit truths about life in Havana and endures the consequences; el Comandante attempts to thwart counter-revolutionary...
    A testimony play examining human rights controversies in contemporary Cuba and how information from the island is (mis)communicated, (mis)perceived, and (re)interpreted in the U.S. Narrated by a shapeshifting Conguero, the worlds of three Cubans collide: Blogger Yoani Sánchez struggles to transmit truths about life in Havana and endures the consequences; el Comandante attempts to thwart counter-revolutionary "cybermercenaries" by joining the digital revolution; Fulana, a transgender New Yorker, is inspired by underground Cuban bloggers and the new Cuban National Center for Sex Education (CENESEX) to return to the island he left as a child. Inspired by real events, speeches, protests, and testimonies by Sánchez, los Damas de Blanco (Women in White), the Castro family, and others.