Charles Zito (he/him)

Charles Zito (he/him)

Charles Zito’s plays, The Best Men, Enough, Girls Gone Wilde, Breakfast With Banquo, One and One-Half Sandwiches, and Runaway have appeared in New York City, San Francisco, and St. Louis. He is the author of the Nicky D’Amico Mysteries (published by Midnight Ink), a series of comic mysteries, each set in a different theater. After receiving his degree in theater from Carnegie-Mellon University, he worked as a...
Charles Zito’s plays, The Best Men, Enough, Girls Gone Wilde, Breakfast With Banquo, One and One-Half Sandwiches, and Runaway have appeared in New York City, San Francisco, and St. Louis. He is the author of the Nicky D’Amico Mysteries (published by Midnight Ink), a series of comic mysteries, each set in a different theater. After receiving his degree in theater from Carnegie-Mellon University, he worked as a stage manager, director and producer. He has served as the Artistic Director of The Spectrum Stage Company in New York City and the Executive Artistic Director of the Diversionary Theatre in San Diego. He currently lives in New York City.

Plays

  • Tweet
    Lily tweets what she considers to be a fun loving statement about her brother's impending wedding but the Internet interprets her actions as homophobic and racist. As the joke goes viral her private thoughts become public liabilities and the explosive results of her own racial assumptions blow apart her family. Left in the rubble she searches for answers.
  • Natural Causes
    Maria has many opinions. As one of the hard pressed siblings in Natural Causes she puts them to the test in her efforts to keep her family together despite very sane reasons to move on. The ultimate test comes when long gone brother Anthony returns to interrupt the annual festivities for Groundhog Day. He's come to take their youngest sister, Joanna, away from a house where people end up drunk, on their...
    Maria has many opinions. As one of the hard pressed siblings in Natural Causes she puts them to the test in her efforts to keep her family together despite very sane reasons to move on. The ultimate test comes when long gone brother Anthony returns to interrupt the annual festivities for Groundhog Day. He's come to take their youngest sister, Joanna, away from a house where people end up drunk, on their knees, ripping up the carpet with a claw hammer; where a mother can't bear to be in the same room as her children; and, where long held secrets make an obscure holiday more important than any other day of the year. Maria moves aggressively to stop him, first by doing away with his brother-in-law and then with Anthony himself. Though both her sister Rose (who drinks excessively) and her father see what's coming, they are powerless to stop her. Maria finally gets what she wants most, a family moment frozen in time. For her it's worth the sacrifice of a life or two.
  • Reason Enough
    Teddy deals with loss in his life first by running, then by burying himself in his past. In the process, he reconciles himself to the memory of the woman who raised him (his Aunt Matty) and the memory of his best friend (Stephen).
    Five scenes are set in 1992, during Matty’s 66th birthday weekend. Teddy returns to Pennsylvania to celebrate and relocate from the mounting death toll in New York City. After...
    Teddy deals with loss in his life first by running, then by burying himself in his past. In the process, he reconciles himself to the memory of the woman who raised him (his Aunt Matty) and the memory of his best friend (Stephen).
    Five scenes are set in 1992, during Matty’s 66th birthday weekend. Teddy returns to Pennsylvania to celebrate and relocate from the mounting death toll in New York City. After welcoming him, his aunt has doubts about this move for Teddy. In the end, he returns to NYC.
    Alternating with these scenes are scenes from the summer of 1994. After his friend Stephen’s death, an increasingly distraught Teddy fixates on connecting with Stephen’s memory by involving himself with men with whom Stephen had sex. In his increasingly frantic effort to grasp at Stephen’s memory, Teddy drives himself to emotional disintegration, and on through to a tentative reconnection with his present.
    The final scene is the day of Matty’s funeral in the Spring of 1995. Teddy, having come to an uneasy peace with himself attempts to help a young friend cope with Matty’s death.
  • Enough
    Simon wants Mila. Francesca wants Mila. But it's not what you think. Two books, one editor; Simon and Francesca have a war of words for Mila's attention, made all the more difficult for Simon who can't stop rhyming once he's upset. Mila untangles the knot, but not before everyone suffers just a little disappointment and a little happiness in equal measure.
  • Runaway
    When there is a disagreement over his new boyfriend, 16 year old Tommy runs away from home to his favorite Uncle in Manhattan. Uncle Tony is much less sympathetic than Tommy hoped for, but then Tony is hiding his own secret. Or at least he thinks he is. When his sister Rose arrives looking for her son, Tony discovers that the entire family knows already knows the truth and nobody cares. Certainly not Rose, who...
    When there is a disagreement over his new boyfriend, 16 year old Tommy runs away from home to his favorite Uncle in Manhattan. Uncle Tony is much less sympathetic than Tommy hoped for, but then Tony is hiding his own secret. Or at least he thinks he is. When his sister Rose arrives looking for her son, Tony discovers that the entire family knows already knows the truth and nobody cares. Certainly not Rose, who settles matters with her son and gives her brother some much needed perspective.
  • The Best Men
    Will wants to ask Seth to be his best man when he marries his boyfriend, Derek. The problem is, Seth doesn't believe in marriage. He's also afraid of losing his best friend. As they work this out in Will's SF apartment, a dual time line from 1967 reveals the apartments original tenant, fresh from MO. Gregory is also trying to work out where he fits in as a gay man. What binds these two timeline...
    Will wants to ask Seth to be his best man when he marries his boyfriend, Derek. The problem is, Seth doesn't believe in marriage. He's also afraid of losing his best friend. As they work this out in Will's SF apartment, a dual time line from 1967 reveals the apartments original tenant, fresh from MO. Gregory is also trying to work out where he fits in as a gay man. What binds these two timeline together are the names on the apartment wall, preserved from tenant to tenant, reminders of every man who passed through looking for his own place in the world. In the end, Gregory finds strength in his hope for the men who will follow; Will and Seth find peace in the strength of the men who proceded them.
  • Gwendolyn and Cecily
    Gwendolyn and Cecily (yes, that Gwendolyn and Cecily) take a vacation to the beach. Looking to get away for a bit, they get away for a century and almost lose their way. In the end everything is OK. After all, we all know the importance of being with Ernest.
  • Mercy
    It’s an ordinary day at home. Mrs. G. and Charyse are sorting out the pills for Mrs. G.’s daughter, a child with sever disabilities. As they talk, Charyse presents a solution to her employer’s dilemma: a simple change in the pill schedule and the daughter’s pain is permanently over and life returns too normal.
  • 44 Hours
    Victor and Ian meet and hook up on Friday night. Come Sunday evening they are still together. Ian thinks there is something here that's worth pursuing; Victor is worried about the age difference (he is 50, Ian is 27). They go back and forth on the "yes" and "no" of going forward, finally resolving to at least go out for dinner and see what follows.
  • Breakfast with Banquo
    Macbeth in hell spending a little time with an old friend. The story of a powerful man avoiding responsibility.
  • Talent is Crack
    A radio DJ (or maybe a playwright) spins out of control during Covid-19 Quarantine