What a beautifully-constructed play that makes such excellent and poignant use of double-casting. I loved how repeated gestures/tics were employed across generations. Donna Hoke explores homophobia and other kinds of prejudice, societal structures that keep us in cycles of oppression, and redemption in a briskly-moving 90-or-so minutes! I appreciated the way the play wound back and forth through time, yet always felt as if it was structurally moving forward at a steady clip. Hoke has rendered some very three-dimensional and vividly-realized characters here. The final stage image is gorgeous...
What a beautifully-constructed play that makes such excellent and poignant use of double-casting. I loved how repeated gestures/tics were employed across generations. Donna Hoke explores homophobia and other kinds of prejudice, societal structures that keep us in cycles of oppression, and redemption in a briskly-moving 90-or-so minutes! I appreciated the way the play wound back and forth through time, yet always felt as if it was structurally moving forward at a steady clip. Hoke has rendered some very three-dimensional and vividly-realized characters here. The final stage image is gorgeous and well-earned. I'd love to see a production!