Nominated for best Playwriting for an Original Play; Los Angeles Ovation Awards.
In 2018, BLISS (or Emily Post is Dead!) received a joint-world premiere with Moxie Theatre (San Diego) and Promethean Theatre (Chicago), ending with Moving Arts’ production at Atwater Village Theatre in Los Angeles (LA Times Critic’s Choice and Ovation Recommended).
Winner of The Great Plains Theatre Conference's Holland New Voices Award. Named on The Kilroys' THE LIST of the 46 most recommended plays written by female playwrights. Finalist for O’Neill National Playwrights Conference and The Source Festival. Selected readings at The Antaeus Company in Los Angeles, HERE Arts Center in NYC, The Hearth Collective hosted by Portland Center Stage, and a Workshop Presentation with Moving Arts in Los Angeles.

It's 1960 in North Orange, NJ. Clytemnestra and Medea are now housewives with a pill addiction, and Antigone is the teenage girl next door who is in love with a black boy. On the surface, they're seemingly blissful to follow the "rules” of Emily Post, the American author famous for writing on etiquette. But that's just the surface. Then Cassandra, a black working girl, moves into their neighborhood and all routines are interrupted. Cassandra is determined to finally break the curse of Apollo, the gorgeous and egotistical god who gave her this “gift” of prophecy but made it so no one would ever believe her. He makes it clear his curse is practically indestructible: all she has to do is convince someone to believe her. Can Cassandra convince these women they now have choices in this modern era? That they don't have to live a doomed existence? Can all four women escape their ongoing fate?