Intoxicating and wonderful.

This play goes to the heart of traumatic family life in a beautiful, darkly comic, sculpted way. I love Song's facility with language, image and composition. She writes gorgeously for characters with massive subtext. This is probably one of the closest theatrical experiences I've had reflecting my own family life. And perhaps this means I project when I say that Family feels universal, but the play is so alive and open to a multiplicity of interpretations and avenues of connection, I challenge others to see if it feels universal to them.

I adored the workshop production I saw of this last year - the play is dark, creepy, and unnerving, but also terribly funny. Celine's language is rhythmic and musical - the repetitions, circles, and variations between monologues and clipped speech all result in a sharp and crisp play. Behind all the funhouse mirrors and surreal madness, however, is a very moving story about the emotional damage caused by distant parents and family secrets, and the resulting cruelties that emerge. Celine's play might be considered "experimental," but it is rooted in honest raw emotion. Highly recommended.