Twigs and Bone

*Now available through Broadway Play Publishing!*

After her estranged parent’s phone line has been disconnected, Moira Lane begrudgingly returns to the home she abandoned eight years ago only to find things far worse than she could have feared. Her father, William, has taken to peeing in coffee mugs and her mother, Bonnie, claims to have had a miraculous birth. Believing the “baby” to be her youngest daughter...

*Now available through Broadway Play Publishing!*

After her estranged parent’s phone line has been disconnected, Moira Lane begrudgingly returns to the home she abandoned eight years ago only to find things far worse than she could have feared. Her father, William, has taken to peeing in coffee mugs and her mother, Bonnie, claims to have had a miraculous birth. Believing the “baby” to be her youngest daughter reincarnated, Bonnie is convinced that Faeries in the woods have blessed the family with a second chance. As a terrible storm moves in, Moira must battle her family’s madness and navigate the years of guilt and grief feeding the storm if she has any hope of getting out alive.

Developed at The Hawthornden International Writer’s Retreat and Theatricum Botanicum

Conferences: Great Plains Theatre Conference, 2014

Finalist: Jerome Fellowship, 2010

Semi-Finalist: O’Neill Playwright’s Conference, 2010 and Bay Area Playwrights Festival, 2010

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Twigs and Bone

Recommended by

  • John Bavoso: Twigs and Bone

    This play is deeply unsettling from the very first page and doesn’t let up until the fiery, harrowing ending. I could feel the claustrophobia and darkness just leeching through the page as I read. Underneath the disturbing atmosphere, this play is a brutally honest examination of grief, parenthood, and family. This script is such a gift to actors, directors, and designers and will linger with me for a long time. Highly recommended!

    This play is deeply unsettling from the very first page and doesn’t let up until the fiery, harrowing ending. I could feel the claustrophobia and darkness just leeching through the page as I read. Underneath the disturbing atmosphere, this play is a brutally honest examination of grief, parenthood, and family. This script is such a gift to actors, directors, and designers and will linger with me for a long time. Highly recommended!

  • Aubri O'Connor: Twigs and Bone

    I've had the honor to be the first producer of this astounding play. Tiffany has written a show the captivates the audience and delights the actor. A comedy that chills the spine, or a gothic horror that makes you cry. The complexities of this play are its strength, and the possibilities for its staging and execution limitless. If we can do it with 4 actors in a 15'x15' space, it can be done anywhere!

    I've had the honor to be the first producer of this astounding play. Tiffany has written a show the captivates the audience and delights the actor. A comedy that chills the spine, or a gothic horror that makes you cry. The complexities of this play are its strength, and the possibilities for its staging and execution limitless. If we can do it with 4 actors in a 15'x15' space, it can be done anywhere!

  • Ian Thal: Twigs and Bone

    Tiffany Antone's "Twigs and Bone" is a vividly crafted naturalistic horror story, as Moira, the protagonist returns home to a mother and father, both pathological hoarders, both repeating an endless cycle of tormenting one another over the trauma of the child they lost decades prior. Were they always like this? Antone evokes fairytales and folklore, but grounds the story in the visceral world of life, death, bodily functions, decay, and psychopathology. I reviewed the 2022 NuSass production: https://washingtoncitypaper.com/article/556169/twigs-bone-brings-the-su…

    Tiffany Antone's "Twigs and Bone" is a vividly crafted naturalistic horror story, as Moira, the protagonist returns home to a mother and father, both pathological hoarders, both repeating an endless cycle of tormenting one another over the trauma of the child they lost decades prior. Were they always like this? Antone evokes fairytales and folklore, but grounds the story in the visceral world of life, death, bodily functions, decay, and psychopathology. I reviewed the 2022 NuSass production: https://washingtoncitypaper.com/article/556169/twigs-bone-brings-the-su…

View all 7 recommendations

Development History

  • Type Reading, Organization Great Plains Theatre Conference, Year 2014
  • Type Reading, Organization The Inkwell, Year 2012
  • Type Reading, Organization UCLA, Year 2010
  • Type Reading, Organization Theatricum Botanicum, Year 2009

Production History

  • Type Professional, Organization Nu Sass in Washington, D.C., Year 2022
  • Type Workshop, Organization Acadiana Reportory Theatre in LaFayette, LA, Year 2015