Losing Our Heads: The Guillotine Play
by Nina Mansfield
Losing Our Heads: The Guillotine Play is a full-length comedy that juxtaposes absurdist vignettes about the bizarre history of the guillotine with the post-beheading loves, lives and struggles of historical figures who now exist in a very contemporary version of the afterlife. In the first historical vignette, Guillotine—an actual Guillotine—arrives for a job interview. Sanson, the head executioner during the...
Losing Our Heads: The Guillotine Play is a full-length comedy that juxtaposes absurdist vignettes about the bizarre history of the guillotine with the post-beheading loves, lives and struggles of historical figures who now exist in a very contemporary version of the afterlife. In the first historical vignette, Guillotine—an actual Guillotine—arrives for a job interview. Sanson, the head executioner during the French Revolution, is dismissive at first, but Guillotine wins him over. Meanwhile, in the land of the beheaded, Nick, the first person to be guillotined in French history, attends Beheaded Anonymous meetings. Nick is in a relationship with Marie (Antoinette), who is concerned about her friend Charlotte (Corday), because Charlotte refuses to admit that she’s been beheaded. Anne (Boleyn), who also attends B.A. meetings although her head was severed by a sword, is secretly in love with Nick. Other characters include the “numbing neck foam” peddling Henri, and the tortured Guy. The struggles of the beheaded are intertwined with warped versions of their back stories.
As the play progresses, each character’s backstory is revealed in absurdist fashion. Anne Boleyn, for example, is forced to choose her execution device at a 70s style game show. Henri finds himself in the home of girl who has fallen in love with his severed head. Meanwhile, in the land of the beheaded, Marie and Nick help Charlotte confront her addiction. By the end of the play, she has, but not without consequences. She has destroyed Marie and Nick’s relationship, and Nick has relapsed, eventually becoming a dreaded “vegetable head.”
The play culminates in a scene where Sanson is forced to relieve Guillotine of his duties, but not until he is able to perform his final execution, in 1977.
The play runs 90-minutes with no intermission, and could be played with eight or more actors.
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