Non-linear storytelling isn’t new, but it can feel gimmicky or unmotivated. Not so in this metaphysical miracle of a play in which reality spins around one unendurable, unnameable moment, the narrative orbiting it, unable to escape its gravity.

RADIO GHOSTS is carefully crafted with tremendous economy. Here, form and content reinforce each other; heady discussions of quantum physics and the human brain illuminate the structure of the play, helping us piece together the mystery at its center.

Sound is integral to RADIO GHOSTS, providing any designer with the opportunity of a lifetime.

A haunting tale.

This play is haunting, imaginative, thoroughly strange and extraordinarily heartfelt. I had the good fortune of participating in an informal reading of this play and was completely transported by it. Highly recommend.

Greg Romero has such a distinctive voice as a writer - and in this collaboration with soundscape designer Mike Vernusky, Romero has once again achieved something haunting, compelling and original - a theatrical experience unlike any other writer out there.
I saw it at the Valdez Theatre Conference, with the sound design playing, which adds so much. For theatres looking for something immersive for your audience - read this play.