the day we were born

by Jaisey Bates

FULL LENGTH.
On a day in the northernmost U.S. city two whales are freed and two boys are born. Raised as brothers within a culture and climate in crisis, they join the Alaskan National Guard in high school and are activated for service after graduation. From the freezing Arctic Circle to the sweltering deserts of Iraq the past and present coexist in a race against time trying to bring everyone together before...

FULL LENGTH.
On a day in the northernmost U.S. city two whales are freed and two boys are born. Raised as brothers within a culture and climate in crisis, they join the Alaskan National Guard in high school and are activated for service after graduation. From the freezing Arctic Circle to the sweltering deserts of Iraq the past and present coexist in a race against time trying to bring everyone together before it’s too late.

Winner of the David Calicchio Emerging American Playwright Prize

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the day we were born

Recommended by

  • Lainie Vansant: the day we were born by Jaisey Bates
    “

    This play is pure poetry. Bates explores the heartbreaking experiences of these characters on both a global and a personal scale, leaving the play with a lot of important issues to explore and digest.

    This play is pure poetry. Bates explores the heartbreaking experiences of these characters on both a global and a personal scale, leaving the play with a lot of important issues to explore and digest.

    ”
  • Donna Gordon: the day we were born by Jaisey Bates
    “

    The reality that these Native Americans face is presented in painful detail. They know the pains in their own culture to be, at least, understandable and necessary for survival. The ritualistic poetry spoken close to their own language brings the spiritual in view. This is a one of a kind view of a changing world that is tolerated through the lens of nature. Any one of these features makes for a great play that must be seen

    The reality that these Native Americans face is presented in painful detail. They know the pains in their own culture to be, at least, understandable and necessary for survival. The ritualistic poetry spoken close to their own language brings the spiritual in view. This is a one of a kind view of a changing world that is tolerated through the lens of nature. Any one of these features makes for a great play that must be seen

    ”
  • Greg Romero: the day we were born by Jaisey Bates
    “

    I just finished reading this play and it is hard to find adequate words to describe how beautiful and exciting and immense this play is. This play is its own enormous, beautiful, white whale. Bates' writing is fantastically theatrical, haunting, poetic, real, and the stories being threaded here are all at once incredibly important and heartbreaking and funny and necessary. I would LOVE to see this play in a production that can meet Bates' writing. Thank you for sharing this play with us, Jaisey!

    I just finished reading this play and it is hard to find adequate words to describe how beautiful and exciting and immense this play is. This play is its own enormous, beautiful, white whale. Bates' writing is fantastically theatrical, haunting, poetic, real, and the stories being threaded here are all at once incredibly important and heartbreaking and funny and necessary. I would LOVE to see this play in a production that can meet Bates' writing. Thank you for sharing this play with us, Jaisey!

    ”
View all 12 recommendations

Character Information

6 to 8 Global Majority actors, Indigenous preferred.

All roles open to female id or NB.

All roles open to adults of any age.

One actor can play both Emil and Uncle.

If necessary Qi's Mother can be optional.
  • Soldier
    A lost spirit.
    A soldier* who can’t remember his life.
    A Vietnam veteran who took his life.

    *Veteran preferred.
    Any Age
    BIPOC (Indigenous preferred)
    Any
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
  • Qi
    A boy.
    Small of stature*. Made of words.
    Scorns tradition and longs to escape.
    Swears. A lot.
    Born the same day as Benny.

    *preferred
    Any Age
    BIPOC (Indigenous preferred)
    Any
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
  • Benny
    A boy.
    Large of stature* - a gentle giant.
    Radiant grounded open sans judgment.
    An old soul, he wants to use traditional and modern ways
    to write new stories in order to heal the wounded world.
    He longs for Qi to accept him as a brother.
    Born the same day as Qi.

    *preferred
    Any Age
    BIPOC (Indigenous preferred)
    Any
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
  • Emil
    A lost boy.*
    Sits in the back of the bus. Runs a crew. Sells pills and bootleg booze.
    Father murdered someone and has been in prison for life in Juneau since Emil was small.
    Desperate for love and to belong but doesn’t realize it. Unmoored from all anchors.

    *Can be same actor as Uncle.
    Any Age
    BIPOC (Indigenous preferred)
    Any
  • Qi's Mother
    A haunted woman.*
    She was raised traditional. Off-the-grid.
    After her father, a Vietnam veteran, killed her mother and himself she walked alone to go live
    with her distant (blood ties and miles) cousins.
    She had Qi when she was 16. She raised Qi and Benny as brothers.
    She struggles with addictions [alcohol, cutting].
    She is immensely eloquent in silence and in expressing herself in wordless song.

    *If necessary, this character can be omitted.
    But her presence must be sensed and honored as living breathing grieving real.
    Or she's just another Silenced Invisible Indigenous Woman for others to 'write' or ignore.
    Any Age
    BIPOC (Indigenous preferred)
    Female id or NB
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
    • Actor Gender Identity
      Female,
      Non-binary
  • Benny's Uncle
    A haunted man.*
    Subsistence hunter. Honors the traditional ways. A whaling captain.
    Can’t forgive Benny for his mother’s death when he was born.
    Tries to be a father figure for Qi.
    Secretly in love with Qi’s mother.
    At times expresses himself in wordless song.

    *Can be same actor as Emil.
    Any Age
    BIPOC (Indigenous preferred)
    Any
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
  • Raven Who Creates This World
    A spirit.
    A grandmother.
    She is fierce sassy vivid – the uber Strong Heart Woman.
    She carries the world and all its stories.
    She tries to weave through words in and outside time a web of a story
    in which redemption and healing are possible.
    Any Age
    BIPOC (Indigenous preferred)
    Female id or NB
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
    • Actor Gender Identity
      Female,
      Non-binary
  • White Caribou Belly Woman
    A spirit.
    16-year old.
    She is radiant spunky grounded open sans judgment.
    She sings from the bottom of the sea.
    She wears her fav Barrow High School Whalers white hoodie.
    Any Age
    BIPOC (Indigenous preferred)
    Female id or NB
    Can be played by:
    • Actor Age
      20s,
      30s,
      40s,
      50s,
      60s,
      70s+
    • Actor Race/Ethnic Identity
      Asian, Pacific Islander, or Asian American,
      Black, African, Caribbean, or African American,
      Indigenous, First Nation, or Native American,
      Latinx/o/a or Hispanic,
      Middle Eastern, North African, or Arab American,
      Native Hawaiian and Other Pacific Islander,
      South Asian or South Asian American
    • Actor Gender Identity
      Female,
      Non-binary

Development History

  • Reading, Blank Theatre's Living Room Series, 2018
  • Reading, Marin Theatre Company, in-house Company reading, 2016
  • Reading, Oklahoma City Theater Company, as part of the Native American New Play Festival, 2015
  • Reading, Native Voices at the Autry, as part of the First Look Series, Los Angeles, CA, 2012

Production History

  • Workshop, Oklahoma City Theater Company - 6 nonAEA workshops with some actors on book during the Native American New Play Festival, 2016

Awards

  • Bay Area Playwrights Festival
    Semi-Finalist
    2018
  • First Flight New Play Festival
    Boomerang Theatre Company
    Finalist
    2017
  • Princess Grace Award
    Princess Grace Foundation-USA
    Finalist
    2017
  • The List
    Kilroys
    Honorable Mention
    2017
  • Native American New Play Festival
    Oklahoma City Theater Company
    Judges' Choice
    2016
  • Finalist
    O'Neill National Playwrights Conference
    2017