you do not look

by Callan Stout

***open to further development***

Gerda is trying to sell encyclopedias in order to stay in America. But she keeps getting sidetracked as she tries to save a world of other women around her. As the play loops and unravels in repeating patterns of PTSD, Gerda cannot escape her own traumatic past. you do not look challenges the audience to see female trauma that is too often purposefully overlooked.

***open to further development***

Gerda is trying to sell encyclopedias in order to stay in America. But she keeps getting sidetracked as she tries to save a world of other women around her. As the play loops and unravels in repeating patterns of PTSD, Gerda cannot escape her own traumatic past. you do not look challenges the audience to see female trauma that is too often purposefully overlooked.

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you do not look

Recommended by

  • Jeffrey James Keyes: you do not look

    You Do Not Look is powerful play, smartly executed by Callan Stout. I caught a workshop production of this well crafted play some time ago and reading it stirred up the same pool of emotions. Stout’s story is eerie and unsettling at times yet fun and introspective. I loved it.

    You Do Not Look is powerful play, smartly executed by Callan Stout. I caught a workshop production of this well crafted play some time ago and reading it stirred up the same pool of emotions. Stout’s story is eerie and unsettling at times yet fun and introspective. I loved it.

  • Jacob Marx Rice: you do not look

    A beautiful, haunting play about trauma and the ways that human connection can overcome. The play starts out feeling like a regular ghost story but blossoms into an inspiring story of the power of hope even in the face of despair. It's funny, spooky, challenging and ultimately deeply moving. An absolute pleasure to read.

    A beautiful, haunting play about trauma and the ways that human connection can overcome. The play starts out feeling like a regular ghost story but blossoms into an inspiring story of the power of hope even in the face of despair. It's funny, spooky, challenging and ultimately deeply moving. An absolute pleasure to read.

  • Nick Malakhow: you do not look

    A beautiful, offbeat, and at times unsettling story about how trauma haunts. Stout explores the abuse and mistreatment of women at the hands of human traffickers, and the ways these women fight to escape, pick themselves up, and reinvent their lives. In Gerda we have a compelling rock of a protagonist who is impossible not to root for throughout. Despite the heavy subject matter, this play is written with nuance and a gentle hand. The transitions, double-casting, and haunting visual landscape also make it a uniquely theatrical piece. I would love to see this on its feet!

    A beautiful, offbeat, and at times unsettling story about how trauma haunts. Stout explores the abuse and mistreatment of women at the hands of human traffickers, and the ways these women fight to escape, pick themselves up, and reinvent their lives. In Gerda we have a compelling rock of a protagonist who is impossible not to root for throughout. Despite the heavy subject matter, this play is written with nuance and a gentle hand. The transitions, double-casting, and haunting visual landscape also make it a uniquely theatrical piece. I would love to see this on its feet!

View all 8 recommendations

Character Information

  • Gerda
    Gerda - late twenties, from the Czech Republic. A recent immigrant, a hard worker, guilt ridden, a survivor. Uses her work ethic and drive to stay and succeed in America to ignore her PTSD. Constantly running from her own demons, both the ones that follow her and the ones she chooses to carry due to her own guilt.
    Character Age
    20’s
    Character Race/Ethnic Identity
    Czech
    Character Gender Identity
    Female
  • Ana
    Ana - mid twenties, she hasn't yet become a survivor, but there's still hope. She was human trafficked through the Czech Republic, women who have experienced this are often from Northern Africa or South East Asia.
    Character Age
    20’s
    Character Gender Identity
    Female
  • Addie
    Addie - older teen, anywhere between 14 and 17. Any ethnicity, a latchkey kid, sassy and defensive, sometimes she forgets. Sometime she understands the futility of her own situation and her inability to actually help the people she wants to, and sometimes she still thinks she can actually help the people around her.
    Character Age
    Late teen
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Cici
    Cici - young teen, any ethnicity, confident and terrified. Understands that her situation is terrible and not normal, but doesn't know that life can be another way.
    Character Age
    Early teens
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Rocking Woman
    From the Czech Republic. Maybe just a shadow, or a puppet, and sound effects, or the magic of theatre. But terrifying and mysterious and ever-present.
    Character Age
    mature, greying
    Character Gender Identity
    Female
  • Maggie/Kitty/Catarina
    Plays all the neighbors and women that Gerda tries to sell encyclopedia's to. She is everyone else in the world who refuses to see the troubles of others.
    Character Age
    Older than everyone, except Rocking Woman
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female

Development History

  • Type Residency, Organization Denmark Arts Center, Year 2017
  • Type Reading, Organization The Bechdel Group, Year 2017
  • Type Workshop, Organization Columbia University, Year 2017
  • Type Workshop, Organization Fresh Ground Pepper, Year 2016

Awards

  • Pegasus Play Lab
    UCF School of Performing Arts
    Semi-Finalist
    2019
  • National Playwrights Conference
    Eugene O'Neill Theater Center
    Semi-Finalist
    2020