The Fertile River

by Vincent Terrell Durham

It’s the summer of 1958 and Mrs. Sarah Woods is on a mission from the state. The state social worker has been visiting colored families in a small rural North Carolina community. Cora Lee Burden is the latest to receive an appointment notice from Mrs. Woods. The sixty-four-year-old grandmother of a mentally challenged child has no idea what a white social worker from the government would want with her family...

It’s the summer of 1958 and Mrs. Sarah Woods is on a mission from the state. The state social worker has been visiting colored families in a small rural North Carolina community. Cora Lee Burden is the latest to receive an appointment notice from Mrs. Woods. The sixty-four-year-old grandmother of a mentally challenged child has no idea what a white social worker from the government would want with her family. But being a colored woman of the south she knows the visit is a call for caution.

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The Fertile River

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  • Premiere Stages: The Fertile River

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “The Fertile River” by Vincent Terrell Durham as a Semi-Finalist for the 2023 Premiere Play Festival. “The Fertile River” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the deeply gripping story, and the deftly-crafted characters and environment. Our congratulations and thanks to Vincent.

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “The Fertile River” by Vincent Terrell Durham as a Semi-Finalist for the 2023 Premiere Play Festival. “The Fertile River” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the deeply gripping story, and the deftly-crafted characters and environment. Our congratulations and thanks to Vincent.

  • Ky Weeks: The Fertile River

    There's a powerful and ominous use of language in this play. The way it's learned, controlled, restricted, and ultimately used to paint over a sickening truth, are all explored and shown in a riveting and painful light, before that truth is pulled back and shown for exactly what it is. And, fittingly, the word choices in the script are impeccably crafted. The history here is confronted head-on, as it needs to be.

    There's a powerful and ominous use of language in this play. The way it's learned, controlled, restricted, and ultimately used to paint over a sickening truth, are all explored and shown in a riveting and painful light, before that truth is pulled back and shown for exactly what it is. And, fittingly, the word choices in the script are impeccably crafted. The history here is confronted head-on, as it needs to be.

  • Rachael Carnes: The Fertile River

    Training a bright light on an oft-ignored yet utterly shameful - and lengthy - and *continuing* chapter in American history, the Eugenics movement and forced or coerced sterilization, this play grounds a horrific concept in the physical, in the emotional, creating a world that builds, pressurizing each moment to a crescendo of fear and pain and loss. I had the pleasure of seeing a reading of this work at the 2021 Great Plains Theatre Conference, and I cannot recommend this play more highly. Miss Cora, Uncle Jesse, Arthur and River, in particular, are indelibly beautiful, and deeply felt...

    Training a bright light on an oft-ignored yet utterly shameful - and lengthy - and *continuing* chapter in American history, the Eugenics movement and forced or coerced sterilization, this play grounds a horrific concept in the physical, in the emotional, creating a world that builds, pressurizing each moment to a crescendo of fear and pain and loss. I had the pleasure of seeing a reading of this work at the 2021 Great Plains Theatre Conference, and I cannot recommend this play more highly. Miss Cora, Uncle Jesse, Arthur and River, in particular, are indelibly beautiful, and deeply felt. Stunning work.

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Character Information

  • Cora Lee Burden (Mama Cora)
    64 years old, black, poor, illiterate. She is the head of the household and lives on government assistance.
    Character Age
    64
    Character Race/Ethnic Identity
    Black American
    Character Gender Identity
    Female
  • Sarah Woods
    28 years old, white, social worker, married, middle class and college educated.
    Character Age
    28
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Female
  • Jesse Lee Johnson
    60 years old, black, Cora Lee's younger brother. His lower left leg and foot are mangled from a World War I injury, causing him to walk with difficulty.
    Character Age
    60
    Character Race/Ethnic Identity
    Black American
    Character Gender Identity
    Male
  • River
    22 years old, black, Cora Lee's granddaughter. The terms of the period, slow, retarded, or feebleminded would be used to describe her mental challenges.
    Character Age
    22
    Character Race/Ethnic Identity
    Black American
    Character Gender Identity
    Female
  • Arthur
    9 years old, mulatto, River's son, highly intelligent, precocious, inquisitive. He is often charged with seeing after his mother. He is a product of rape.

    Character Age
    9
    Character Race/Ethnic Identity
    Mulatto
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Great Plains Theatre Conference, Year 2021
  • Type Reading, Organization Face It! Theatre, Year 2017
  • Type Workshop, Organization ACME Theatre, Year 2016
  • Type Reading, Organization The Other Space, Year 2015