She's Not There

by Ali MacLean

When Rob meets Anna, he thinks she’s the one. When Anna meets Rob, she thinks maybe she can finally be happy. But there is a third party in the relationship that may destroy their union. Every night a shadowy monster called The Form comes out of the walls of Anna's apartment and tries to kill her. What starts out as a meet-cute slowly descends into confusion and horror. This play personifies depression and...

When Rob meets Anna, he thinks she’s the one. When Anna meets Rob, she thinks maybe she can finally be happy. But there is a third party in the relationship that may destroy their union. Every night a shadowy monster called The Form comes out of the walls of Anna's apartment and tries to kill her. What starts out as a meet-cute slowly descends into confusion and horror. This play personifies depression and explores how it can devastate a person and the lives of those around them.

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She's Not There

Recommended by

  • Ross Tedford Kendall: She's Not There

    This play not only shows the depths of depression and how people struggle with it, but the impact it has on those around them. It also shows how there isn't an easy answer, either. Rob wants to emphasize with Anna's condition, and clearly loves her, but reality (and depression, brilliantly portrayed by The Form) has other plans. This is a play that leaves you with questions rather than answers, which all great theatre should do.

    This play not only shows the depths of depression and how people struggle with it, but the impact it has on those around them. It also shows how there isn't an easy answer, either. Rob wants to emphasize with Anna's condition, and clearly loves her, but reality (and depression, brilliantly portrayed by The Form) has other plans. This is a play that leaves you with questions rather than answers, which all great theatre should do.

  • Jacquelyn Reingold: She's Not There

    Wow. This sharp, compelling play draws you in with its funny, edgy meet cute with irony, but takes a meaningful turn when the writer shows the underbelly of her intentions. Its darkness is revealed with complexity and nuance - while its shining writing keeps you engaged. The dialogue sparkles, the characters pop off the page, and the story follows their tragic yet surprising yet inevitable arcs. It uses a physicalized and theatrical metaphor to depict the struggle of mental illness. Audiences will, no doubt, be entertained, surprised, moved, and have a lot to talk about!

    Wow. This sharp, compelling play draws you in with its funny, edgy meet cute with irony, but takes a meaningful turn when the writer shows the underbelly of her intentions. Its darkness is revealed with complexity and nuance - while its shining writing keeps you engaged. The dialogue sparkles, the characters pop off the page, and the story follows their tragic yet surprising yet inevitable arcs. It uses a physicalized and theatrical metaphor to depict the struggle of mental illness. Audiences will, no doubt, be entertained, surprised, moved, and have a lot to talk about!

  • Bethany Dickens Assaf: She's Not There

    A riveting portrayal of depression, “She’s Not There” is thoughtful and broadly meaningful, while also uncompromising in it’s exploration of one specific tragedy. We as the audience are left - along with the character of Rob, in a stunning ending - with an imprint of a life struggling to transcend circumstance (and potentially succeeding - the ending is beautifully complex and can lead to a variety of theories that will no doubt be discussed on the drive home). In addition, the play features some fine and lovely dialogue. A gripping, thought-provoking work.

    A riveting portrayal of depression, “She’s Not There” is thoughtful and broadly meaningful, while also uncompromising in it’s exploration of one specific tragedy. We as the audience are left - along with the character of Rob, in a stunning ending - with an imprint of a life struggling to transcend circumstance (and potentially succeeding - the ending is beautifully complex and can lead to a variety of theories that will no doubt be discussed on the drive home). In addition, the play features some fine and lovely dialogue. A gripping, thought-provoking work.

View all 10 recommendations

Character Information

Doubling instructions:
-Anna Douglas, a woman in her twenties to thirties
-Rob Asher, A man in his thirties
-Dr. Salvador, a man in his fifties/Zach, a man in his thirties
-Scott Handler, a man in his thirties /Golfer/Doctor
-Jason Pulaski, a man in his thirties/The Form, a monster
-Alan Douglas, a man in his sixties
-Beth Douglas, a woman in her sixties/
-April Pulaski, a woman in her thirties/Amber a women in her twenties/Nurse
The Form can be cast as any gender or race.

The Form's look is up to interpretation, however, the author suggests actor is all in black with face obscured - an ominous look. Anna has to feel like her life is in danger whenever the Form enters the room.
  • Beth
    Anna's mother. New Englander. Austere. Icy. Combative. Has been telling Anna her whole life that she is abnormal.
    Character Age
    60s
    Character Gender Identity
    Female
  • April
    Jason's wife. New mother. Friend to Rob. Insightful. A good judge of character.
    Character Age
    30s
    Character Gender Identity
    Female
  • Amber
    Young woman Scott dates. Pegged for being a bimbo, but she stands up for herself.
    Character Age
    20s
    Character Gender Identity
    Female
  • Zach
    Beach house buddy of Rob.
    Character Age
    30s
    Character Gender Identity
    Male
  • Anna
    Dark, clever, artist who covers her insecurities with eyeliner, humor, and a smidgen of hostility. Paralyzed by depression.
    Character Age
    30s
    Character Gender Identity
    Female
  • Rob
    Agreeable and likable, though he lives a microwave dinner version of life. More comfortable in a sports bar than an art gallery. Deflects with self-effacing humor. Aims to please.
    Character Age
    30s
    Character Gender Identity
    Male
  • The Form
    A Monster. A shapeless black form, too large and tall and misshapen to be human and disturbingly faceless, with a sickening, foreboding preference. Possesses superhuman strength. Comes out of Anna's walls and tries to kill her.
    Character Age
    Any
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Scott
    Best bro of Rob. Went into commodities because 'numbers don't lie like chicks do'. Womanizer. Probably reads Maxim and Bret Easton Ellis.
    Character Age
    30s
    Character Gender Identity
    Male
  • Jason
    Married friend of Rob and Scott. A bit haggard and overweight since the arrival of his newborn. Still wants to be a part of the gang.
    Character Age
    30s
    Character Gender Identity
    Male
  • Dr. Salvador
    Anna's doctor. Friendly in demeanor but a by-the-book psychiatrist underneath.
    Character Age
    50s
    Character Race/Ethnic Identity
    Any race (but Latinx preferred)
    Character Gender Identity
    Any (but probably Male)
  • Alan
    Anna's father. Patrician. New Englander. Never protected Anna from her mother's wrath.
    Character Age
    60s
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization Ensemble Studio Theatre Winterfest Festival, Year 2018
  • Type Reading, Organization NETC, Year 2018

Production History

  • Type Workshop, Organization Women's Work Theater Festival, Canada, Year 2021
  • Type Fringe, Organization She NYC Arts Festival, Year 2019
  • Type Workshop, Organization Cuckoo Bang Theatre Company - Bits, Year 2019

Awards

  • Best Director nominee
    Broadway World Awards
    2019
  • Marsha A. Croyle Playwriting Award
    Scribe Playwriting Competition
    Finalist
    2019
  • Best Play
    She NYC Arts Theatre Festival
    Winner
    2019
  • She NYC Arts Summer Theatre Festival
    She LA Arts
    Selection
    2019
  • She NYC Arts Summer Theatre Festival
    She NYC Arts / She LA Arts
    Finalist
    2019
  • She NYC Arts Summer Theatre Festival
    She NYC Arts / She LA Arts
    Semi-Finalist
    2019
  • Best Stage Play
    ScreenCraft
    Semi-Finalist
    2018
  • Dennis and Victoria Ross Foundation Playwrights Program
    Dennis and Victoria Ross Foundation
    Finalist
    2018
  • John Gassner Playwriting Award
    New England Theater Conference
    Winner
    2018
  • New Works Festival
    Gary Marshall Theatre
    Semi-Finalist
    2018