An original tale and authorial voice that twists together threads of a past full of mystery and intrigue which will draw in an audience and keep them riveted until the play's beautifully cyclical conclusion: the emptying of secrets like a "sack of dead cats." I adore stories that span the passage of time and focus on the female. The playwright's theatrical use of imagery, sound effects, motifs ("You told me"), foreshadowing, breaking of a fourth wall of madness are stunning. I'd love to see this on the stage.

Kelly McBurnette-Andronicos offers us a well-constructed, wildly theatrical puzzle: the perfect kind, not too easy to solve, with just enough clues to keep driving us to figure it out. And of course, once all the pieces slide into place, the picture right there in front of us, it seems so clear all along.

With echoes of Williams, Dickens, and Doyle (plus a lurid Penny Dreadful or two) SDOAMW will satisfy history and literature lovers; but you needn’t have an interest in Victorian serial killers or the Southern Gothic to be intrigued by this feverish mystery.

Holy Shit! Kelly McBurnette-Andronicos has written a wonderfully creepy and surreal “Northeastern Southern Gothic Noir,” her wildly theatrical sense of the absurd firing on all cylinders here. And in “FLORENCE “BUNNY” MAYBRICK aka MISS CHANDLER” she has given us a fabulously worthy heiress to all those fabulously eccentric heroines Tennessee Williams (with a slight nod to Giraudoux) made so irresistible to actresses (and actors) as well as audiences; I so want to see this performed!