The Girl In The White Pinafore

by Jiggs Burgess

On the last day of his life, William Chesley Shaw is haunted, figuratively and literally, by his past. He had been the superintendent of the New London, Texas school district on March 18, 1937, when, due to a gas leak from an improperly installed pipe beneath the school, the New London school exploded. The children of the New London school, led by Amelia (the girl in the white pinafore), now haunt Shaw. Hurt...

On the last day of his life, William Chesley Shaw is haunted, figuratively and literally, by his past. He had been the superintendent of the New London, Texas school district on March 18, 1937, when, due to a gas leak from an improperly installed pipe beneath the school, the New London school exploded. The children of the New London school, led by Amelia (the girl in the white pinafore), now haunt Shaw. Hurt and confused, Amelia cannot move on until she can forgive herself for her mistakes on that fateful day and Shaw for his leading to the tragedy. More a story of the search for redemption than an outright ghost story, The Girl In The White Pinafore asks tough questions about guilt and grief. Based on real events that touch our lives still. 5M/5F possible with doubling.

  • Inquire About Rights
  • Recommend
  • Download
  • Save to Reading List

The Girl In The White Pinafore

Recommended by

  • Eugene O'Neill Theater Center: The Girl In The White Pinafore

    It is the Eugene O'Neill Theater Center's pleasure to recommend Jiggs Burgess and their play The Girl In the White Pinafore as a finalist for our 2018 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 53 finalists out of more than 1,4200 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process.

    It is the Eugene O'Neill Theater Center's pleasure to recommend Jiggs Burgess and their play The Girl In the White Pinafore as a finalist for our 2018 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 53 finalists out of more than 1,4200 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process.

Awards