Emptiness has tangibility in this play, and religious guilt seems to take on a physical presence. And while the walls seem to close in, always present is the reality that what's really trapping Tamson is the choices and expectations of the male characters. Depicts the West with a memorably haunting tone.

No matter what she writes Larson has a way of making me think even as I enjoy myself, and she did it again with MOUNTAIN LAW. As always, phenomenal language from this master storyteller kept me riveted. Tamson is a powerhouse of a woman and a role any actress would love to sink her teeth into.

How do women survive the daily onslaught of white noise and isolation? Mountain Law takes a relevant POV on the individual’s flexible relationship with faith in the light of hardship and changing circumstances. Tamson is clearly a devout woman but she learns to be unashamed of her fallible humanity. Howard is strict in his beliefs but not immovable. It’s a resonant reminder that faith isn’t a monolith. Melissa writes in a beautifully balanced mix of narrative and theatrical storytelling. She asks the audience to observe a time and place they may be viewing too narrowly.