I was lucky enough to see what I believe was the German or perhaps the European premiere of this play in Berlin in 2025. Absolutely adored it. A perfect and delightful mix of absolutely hysterical and existentially upsetting, and a great introduction to Catherine Weingarten's unique voice. I'd love to see it / her get more productions both domestic and international.

This play captures the chaos of being young and sexy and flawless and gross and understands that all those things added together equal armagaddon -- maybe in a way even Boccaccio didn't. I'm delighted and horrified by the sublime care taken in every intentional typo, or the torturous consumption of sweet sweet ice cream and how many things for which it's a potent metaphor. More classical adaptations like this, that tear the original apart and have sex with the pieces.

There is an abundance of energy and style in the piece. Weingarten fully captures a superficial and irreverent tone that at its best is a successful satire of a millennial “live your best self” / “you be you” culture. The play gains extra resonance in our current moment amid the COVID-19 crisis and the cavalier point of view some young people populating Florida beaches have shown toward world events. The play does not skimp on its critique of gender roles and issues of class. The playwright has a DISTINCT, refreshing voice, full of chaotic, anarchist energy.