Kelsey Austin has a very powerful body of work, and as soon as the first major world-premiere takes places the rest of her work is going to fall on the American stages in a domino effect. I find this one to be her most accessible of her plays. While the psychology of the piece is as deep, and ultimately as dark, as her more violent pieces, this one will find its perfect home at a major regional theater.

Great pacing. The lines are very staccato and the whole thing is just a little surreal, in the best possible way. It remind me a bit of an Albee play (I'm thinking of "Who's Afraid of Virginia Woolf?" in particular).