"JOEY"...A Ten-Minute Drama
Recommended by
- "JOEY"...A Ten-Minute Drama“”
- "JOEY"...A Ten-Minute Drama“”
- "JOEY"...A Ten-Minute Drama“”
SPEAKER ONE: Any gender, race, age: A detached and unemotional figure, who delivers matter-of-fact rhetoric on immigration policies. Their lines reveal the cold, bureaucratic mindset behind systemic decisions, in sharp contrast to the play's intended emotional weight.
SPEAKER TWO: Any gender, race, age: Rational and clinical, they analyze the psychological effects of separation, offering observations devoid of personal sentiment. Their delivery highlights the disconnection between science and humanity.
SPEAKER THREE: Any gender, race, age: Introspective yet detached, they focus on the biological and neurological impacts of trauma, presenting facts that underscore the gravity of the issue while maintaining a professional tone.
SPEAKER FOUR: Any gender, race, age: Statistically driven and impersonal, they enumerate the numbers and outcomes of separation policies. Their tone reflects the systemic nature of the issue, making the human toll feel distant.
JOEY: AGE 8-18: Somebody's son. A boy filled with wonder, longing, and heartbreak. His vivid imagination and unanswered questions about his mother expose the emotional scars of family separation and his yearning for connection.
SARAH: AGE 20s: Somebody's mother. A mother in her 20s, haunted by the loss of her child. She is fragile yet determined, torn between hope and despair as she clings to memories and dreams of her son’s future.
SPEAKER TWO: Any gender, race, age: Rational and clinical, they analyze the psychological effects of separation, offering observations devoid of personal sentiment. Their delivery highlights the disconnection between science and humanity.
SPEAKER THREE: Any gender, race, age: Introspective yet detached, they focus on the biological and neurological impacts of trauma, presenting facts that underscore the gravity of the issue while maintaining a professional tone.
SPEAKER FOUR: Any gender, race, age: Statistically driven and impersonal, they enumerate the numbers and outcomes of separation policies. Their tone reflects the systemic nature of the issue, making the human toll feel distant.
JOEY: AGE 8-18: Somebody's son. A boy filled with wonder, longing, and heartbreak. His vivid imagination and unanswered questions about his mother expose the emotional scars of family separation and his yearning for connection.
SARAH: AGE 20s: Somebody's mother. A mother in her 20s, haunted by the loss of her child. She is fragile yet determined, torn between hope and despair as she clings to memories and dreams of her son’s future.
Development History
- Type Reading, Organization Table Top Reading DGPG Playwright’s Group, Year 2018