PRACTICE HOUSE

by Rachael Carnes

Full-Length: A university campus — 1933. Women receive training in home economics, "A tool of the utmost importance in building up forces which increase physical well-being of the population," writes Albert Mann, Dean of the New York College of Agriculture. "And which make for a reduction in the number of persons thrown back to the state for support by reason of physical, mental, or moral failure.”

Practice...

Full-Length: A university campus — 1933. Women receive training in home economics, "A tool of the utmost importance in building up forces which increase physical well-being of the population," writes Albert Mann, Dean of the New York College of Agriculture. "And which make for a reduction in the number of persons thrown back to the state for support by reason of physical, mental, or moral failure.”

Practice House is a 2019 New Dramatists Princess Grace Award Semi-Finalist.

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PRACTICE HOUSE

Recommended by

  • Oded Gross: PRACTICE HOUSE

    A stylized, funny yet provocative satire that left me thinking for some time about our history, our present and our future. Rachel deftly threads the needle between comedy and drama in this history repeats itself dystopian tale that sadly seems too likely to come true. Very well done!

    A stylized, funny yet provocative satire that left me thinking for some time about our history, our present and our future. Rachel deftly threads the needle between comedy and drama in this history repeats itself dystopian tale that sadly seems too likely to come true. Very well done!

  • Donna Hoke: PRACTICE HOUSE

    Aw! This is adorable and funny and yay for the accepting sports parent! Audiences will love this one!

    Aw! This is adorable and funny and yay for the accepting sports parent! Audiences will love this one!

  • Aimee Gerow: PRACTICE HOUSE

    This play swings between humor and stark reality in wide arcs. It keeps you just off- balance enough to want to know what's happening next. The line between fable and reality is scarily thin and Carnes balances that fine line with skill.

    This play swings between humor and stark reality in wide arcs. It keeps you just off- balance enough to want to know what's happening next. The line between fable and reality is scarily thin and Carnes balances that fine line with skill.

View all 25 recommendations

Character Information

Roles for five women in their 20's (or 30's) and one man, any age.
  • BETSY
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    woman
  • JENNIE CLAIRE
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    woman
  • VIOLA
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    woman
  • MISS VAN ROSE
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    woman
  • ELMA
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    woman
  • RADIO ANNOUNCER
    This character is never seen onstage. Depending on the production, this could be a voiceover role with sound cues.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Man

Development History

  • Type Reading, Organization Ten Bucks Theatre, Bangor, ME, Year 2022
  • Type Workshop, Organization Mid American Theatre Conference New Play Development Series , Year 2020
  • Type Reading, Organization Great Plains Theatre Conference , Year 2020
  • Type Workshop, Organization Sewanee Writer's Conference , Year 2019
  • Type Workshop, Organization Roly Poly Productions, NYC, Year 2019
  • Type Workshop, Organization Normal Ave., NYC, semi-finalist for NAP Series , Year 2019
  • Type Reading, Organization Seven Devil's Festival, semi-finalist , Year 2019

Production History

  • Type Professional, Organization Great Plains Theatre Conference PlayFest , Year 2023

Awards

  • International Playwriting Award
    Theatre503 London
    Semi-Finalist
    2020
  • Eugene O'Neill Theatre Conference
    Semi-Finalist
    2020