The Poe Asylum

FULL-LENGTH PLAY. THE POE ASYLUM is an immersive theatrical adaptation based on four terrifying short stories and one tragic poem by master of the macabre, Edgar Allan Poe. Audience members move from room to room in the asylum, watching and listening as stories of horror unfold. A captive recounts their imprisonment and torture. A woman calls out for her lost daughter, only to be answered by an enigmatic raven...

FULL-LENGTH PLAY. THE POE ASYLUM is an immersive theatrical adaptation based on four terrifying short stories and one tragic poem by master of the macabre, Edgar Allan Poe. Audience members move from room to room in the asylum, watching and listening as stories of horror unfold. A captive recounts their imprisonment and torture. A woman calls out for her lost daughter, only to be answered by an enigmatic raven. Another patient fights with the uncontrollable and irrational desire to commit murder. But these are merely stories told by troubled minds. What is the true pain lurking behind the tales these men and women tell? The audience will have to ponder if these individuals are really patients in a mental asylum, or if they are simply trapped in their own minds by the demons they created. And then comes the greatest question of all: where is hope?

THE POE ASYLUM may be performed as an immersive piece, or traditionally staged on a proscenium at the director's discretion. While there are five scenes in total, rights may be acquired to perform fewer scenes.

If performed in full as an immersive piece, cast size may be as few as 9 with doubling, or as many as 30+.
If performed on a stage with scene breaks, cast size may be as few as 4 with doubling.

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The Poe Asylum

Recommended by

  • Doug DeVita: The Poe Asylum

    The joy in this work lies not just in the words of Edgar Allan Poe, but in how deftly – and faithfully – Rachel Luann Strayer uses them to create a completely modern, yet Poesian theatrical experience. As a piece of immersive theatre it is a brilliant creation; that it can also clearly work in a more traditional, proscenium-bound staging is a testament to how well-crafted it is. I would love to see a production, be it on stage or in the rooms of a large, spooky old house; either way, I imagine it would be a thrilling adventure.

    The joy in this work lies not just in the words of Edgar Allan Poe, but in how deftly – and faithfully – Rachel Luann Strayer uses them to create a completely modern, yet Poesian theatrical experience. As a piece of immersive theatre it is a brilliant creation; that it can also clearly work in a more traditional, proscenium-bound staging is a testament to how well-crafted it is. I would love to see a production, be it on stage or in the rooms of a large, spooky old house; either way, I imagine it would be a thrilling adventure.

  • Ky Weeks: The Poe Asylum

    A really neat vision of the source material, residing in the gripping power of Poe's writing, that stays true to the intent and atmosphere of the tales. While the text of these standalone stories is carried to the stage, the framing and staging are used to tell a single connecting narrative, effectively gifting us with a thread of multiple stories at once that's still cohesive and whole. The immersive nature of the play is not only fitting for Poe, it ties his work to the horror tradition of the haunted house, a unique take on the familiar.

    A really neat vision of the source material, residing in the gripping power of Poe's writing, that stays true to the intent and atmosphere of the tales. While the text of these standalone stories is carried to the stage, the framing and staging are used to tell a single connecting narrative, effectively gifting us with a thread of multiple stories at once that's still cohesive and whole. The immersive nature of the play is not only fitting for Poe, it ties his work to the horror tradition of the haunted house, a unique take on the familiar.

Character Information

  • Patient 1 (The Raven)
    A mother who has lost her child.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Figure (The Raven)
    A raven, or possibly the child's father.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Patient 2 (The Pit & the Pendulum)
    A sufferer of PTSD.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Figures (The Pit & the Pendulum)
    Three or more tormentors.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Patient 3 (The Black Cat)
    An alcoholic.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Figure (The Black Cat)
    The alcoholic's wife and also the black cat.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Patient 4 (The Tell-Tale Heart)
    A sufferer of paranoid schizophrenia.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Figures (The Tell-Tale Heart)
    Three or more tormentors.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Patient 5 (The Premature Burial)
    A sufferer of taphophobia.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Doctor (The Premature Burial)
    A doctor but also a tormentor.
    Character Age
    Adult
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Double (The Premature Burial)
    The patient as they were or could have been.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any
  • Hope
    The personification of hope.
    Character Age
    Any age
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Any

Production History

  • Type University, Organization Keystone College, Year 2018
  • Type Fringe, Organization Ghostlight Productions, Year 2016