This is such a wholly inventive play that explores and explodes concepts around what to do with traumatic history of systemic oppression and violence and its inheritance and impact on present day to day life. Thomas utilizes sharp and incisive and dark humor and gets at the root of what people of all backgrounds zero in on and cling to when it comes to Confederate monuments and memorials. The three characters here are well-rendered and the theatrical mix of direct address, potent 2-3 person scenes, and bold stage images (such as the eye-moving portrait) are deftly used!
This is such a wholly inventive play that explores and explodes concepts around what to do with traumatic history of systemic oppression and violence and its inheritance and impact on present day to day life. Thomas utilizes sharp and incisive and dark humor and gets at the root of what people of all backgrounds zero in on and cling to when it comes to Confederate monuments and memorials. The three characters here are well-rendered and the theatrical mix of direct address, potent 2-3 person scenes, and bold stage images (such as the eye-moving portrait) are deftly used!