A prominent playwright is struggling with writer’s block, a broken heart, and a looming deadline...that deadline is opening night. As time away to collect herself, she returns to New York with the theatre scene a buzz of what her “next big hit” will be. It’s up to her manager Kenzie to keep everybody focused and happy. That includes making sure all sexual appetites are met, and all shows are cast...enter down and out child star, we’ll simply call Fuck Boy.