Band-Aid

by Chris Gacinski

ONE-ACT: Lorenzo is a recently divorced writer who has recently moved to Paris to make a name for himself as a playwright. He submits a play to Jean-Paul, the owner of a large theatre company, who rejects his piece. He is in search for the best play of this generation, to compete with the rising popularity of musical theatre. Lorenzo soon meets Federica, an Italian-American writer, and they team up to compose...

ONE-ACT: Lorenzo is a recently divorced writer who has recently moved to Paris to make a name for himself as a playwright. He submits a play to Jean-Paul, the owner of a large theatre company, who rejects his piece. He is in search for the best play of this generation, to compete with the rising popularity of musical theatre. Lorenzo soon meets Federica, an Italian-American writer, and they team up to compose this piece. Band-Aid is a cautionary tale that explores falsified love and emotions, along with the relevancy of the play in a metatheatrical piece that straddles between romance and drama.

This piece contains basic Italian and minimal French, along with poems that are read aloud ala spoken word. Translations provided on request.

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Band-Aid

Recommended by

  • Joshua Piper: Band-Aid

    I enjoyed how the play balances between romantic ideals and harsh realities. Lorenzo embodies romanticism in such an endearing way. The play also cleverly explores differing perspectives on life, using theater as a metaphor for authenticity versus spectacle. Definitely a good read, it feels like it dips into the ideas of film noir. I really enjoyed those moments of the play when it felt slightly Old-Hollywood.

    I enjoyed how the play balances between romantic ideals and harsh realities. Lorenzo embodies romanticism in such an endearing way. The play also cleverly explores differing perspectives on life, using theater as a metaphor for authenticity versus spectacle. Definitely a good read, it feels like it dips into the ideas of film noir. I really enjoyed those moments of the play when it felt slightly Old-Hollywood.

  • Luis Roberto Herrera: Band-Aid

    Gacinski has put together a story about artists that not only touches on the creative process in an entertaining way, but keeps hoping for all the success and failure that come with it just so we can keep reading. In a play that does a good job of balancing both the realness of what it means to create art and the melodrama that comes with falling in love, Gacinski makes you cheer for the ups and downs, the good and the bad, and at times the pleasantly poetic.

    Gacinski has put together a story about artists that not only touches on the creative process in an entertaining way, but keeps hoping for all the success and failure that come with it just so we can keep reading. In a play that does a good job of balancing both the realness of what it means to create art and the melodrama that comes with falling in love, Gacinski makes you cheer for the ups and downs, the good and the bad, and at times the pleasantly poetic.

  • Nick Malakhow: Band-Aid

    I enjoyed that this play straddles an interesting line between whimsical romance and cynical drama! Lorenzo is a hopeless romantic both as lover and an artist--a lovely symmetry that is both an appealing character trait and, of course, his downfall. I also enjoyed the meta-exploration of theater and of the relevance of drama and human truth in a world that increasingly demands spectacle and artifice--a great extended metaphor for the characters' differing views, beliefs, and approaches to life. The poem that ends the piece is a poignant and suitable button for the themes and characters...

    I enjoyed that this play straddles an interesting line between whimsical romance and cynical drama! Lorenzo is a hopeless romantic both as lover and an artist--a lovely symmetry that is both an appealing character trait and, of course, his downfall. I also enjoyed the meta-exploration of theater and of the relevance of drama and human truth in a world that increasingly demands spectacle and artifice--a great extended metaphor for the characters' differing views, beliefs, and approaches to life. The poem that ends the piece is a poignant and suitable button for the themes and characters explored within.

View all 9 recommendations

Character Information

NEWSANCHOR and CONDUCTOR are read as voice-overs.

Supernumerary actors are encouraged to fill the space of the cafe.
  • Federica
    FEDERICA: Late 30’s-Early 40’s. Italian American playwright. Kind-hearted, mischievous deep down. Master manipulator. She hopes to become a success, to prove to her family and friends she’s good at what she does.
    Character Age
    Late 30’s, Early 40’s
    Character Gender Identity
    Female
  • Lorenzo
    LORENZO: Mid-40’s Italian writer. Grew up in Southern Italy, moved to Paris after a rough divorce to propel his writing career. Still keeps his wedding ring on. Low self-esteem; only believes he’s good at writing. He hopes to patch up his broken heart, attempts to fill this emotional void with artistic success.
    Character Age
    40’s
    Character Gender Identity
    Male
  • Jean-Paul
    JEAN-PAUL: Mid-50’s artistic director for a big French theatre company. Possesses a suave, polite, eloquence. He is a submissive lover, dominant in every other aspect. Cares for Lorenzo’s success and well-being, along with Federica’s. He is in pursuit for the best play of this century.
    Character Age
    50’s
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization South Florida Theatre League/Measure for Measure Theatre/New City Players., Year 2019