Misplaced

by Cassie M. Seinuk

10 MINUTE PLAY: It's been three weeks since Jane has just had a miscarriage, and the grief and heartbreak have driven her to find her first-ever heartbreak, her sixth-grade brief boyfriend Abe. When he is reluctant to talk to her about her miscarriage, which he feels completely unconnected to, Jane holds her knowledge of his whereabouts over his head. Forcing him to participate in her deep need to know "why."

10 MINUTE PLAY: It's been three weeks since Jane has just had a miscarriage, and the grief and heartbreak have driven her to find her first-ever heartbreak, her sixth-grade brief boyfriend Abe. When he is reluctant to talk to her about her miscarriage, which he feels completely unconnected to, Jane holds her knowledge of his whereabouts over his head. Forcing him to participate in her deep need to know "why."

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Misplaced

Recommended by

  • Ryan Vaughan: Misplaced

    A piece on the idea that when tragedy strikes, we make connections between the "why" of how it happened that may not be logical. This is a touching story that ends with guards coming down though and a connection over the most basic part of the human condition, pain.

    A piece on the idea that when tragedy strikes, we make connections between the "why" of how it happened that may not be logical. This is a touching story that ends with guards coming down though and a connection over the most basic part of the human condition, pain.

  • Rachel Feeny-Williams: Misplaced

    Sometimes horrible things happen and we don't really know the reason. That's the heartbreaking situation Jane is trying to work through as she tracks down her old boyfriend (from 20 years ago) to find out why he broke up with her. An odd action, you'd think, until you realise that the closure she seeks is something a lot of people seek when something awful happens for apparently no reason. In that sense, Cassie has constructed a great snapshot of human condition and how we respond to grief. Its an emotionally provocative piece that would make a powerful performance.

    Sometimes horrible things happen and we don't really know the reason. That's the heartbreaking situation Jane is trying to work through as she tracks down her old boyfriend (from 20 years ago) to find out why he broke up with her. An odd action, you'd think, until you realise that the closure she seeks is something a lot of people seek when something awful happens for apparently no reason. In that sense, Cassie has constructed a great snapshot of human condition and how we respond to grief. Its an emotionally provocative piece that would make a powerful performance.

  • Maximillian Gill: Misplaced

    This intensely involving short piece speaks eloquently of the primacy of human grief. At first, the two central losses at the core of the protagonist’s grief seem unconnected, yet through Jane’s process we understand exactly what these disparate moments mean to her and why both are relevant on the continuum of loss that she is trying to understand. Her monologue near the end is raw and simply heart-breaking. A potent short play.

    This intensely involving short piece speaks eloquently of the primacy of human grief. At first, the two central losses at the core of the protagonist’s grief seem unconnected, yet through Jane’s process we understand exactly what these disparate moments mean to her and why both are relevant on the continuum of loss that she is trying to understand. Her monologue near the end is raw and simply heart-breaking. A potent short play.

View all 10 recommendations

Character Information

The characters are written as Jewish, but it is also not specified in the text. Casting should be inclusive and open to interpretation. The only clear rule is that Jane be female.
  • Jane
    she is dressed like she tried to put herself together, but right now she is very not put together. It takes effort. She has perhaps done something radically with her hair very very recently.
    Character Age
    30s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Abe
    he is dressed like a barista at a coffee shop that is all about being artisanal, local, and with a clean vibe. He used to be a bad boy, and I mean a real bad boy, and he still holds relics of that in his look at demeanor.
    Character Age
    30s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male

Production History

  • Type Professional, Organization Boston Playwrights' Theatre, BTM produced by Wellesley Rep, Year 2020