Enferma

When Violet O'Neill is handed a cancer diagnosis, she feels she has nothing left to lose. In the coming months, she starts a new relationship, devises a plan to get back at her boss and tangles herself in a web of lies so thick she has to learn a new language to get out of it.

When Violet O'Neill is handed a cancer diagnosis, she feels she has nothing left to lose. In the coming months, she starts a new relationship, devises a plan to get back at her boss and tangles herself in a web of lies so thick she has to learn a new language to get out of it.

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Enferma

Recommended by

  • Karen Jean Martinson: Enferma

    I had the pleasure of dramaturging this play when it appeared at the Phoenix Theatre Company's Festival of New American Theatre. Straton wrote a beautiful piece that deals with how we confront illness and mortality, while also offering a pleasing look into the many ways that we might find connection in the world. The use of Spanish is beautiful and clever, allowing us to see a different facet of the characters. Straton has found some beautiful truths in this story that deals with deception.

    I had the pleasure of dramaturging this play when it appeared at the Phoenix Theatre Company's Festival of New American Theatre. Straton wrote a beautiful piece that deals with how we confront illness and mortality, while also offering a pleasing look into the many ways that we might find connection in the world. The use of Spanish is beautiful and clever, allowing us to see a different facet of the characters. Straton has found some beautiful truths in this story that deals with deception.

  • Tyler Joseph Rossi: Enferma

    I could tell you that Enferma is populated by complicated people - not characters. I could go on about how this is a truly original work with a roller-coaster plot with plenty of twists and turns that leaves reader satisfied by the end, all loose ends tied by the play's end. I'd talk your ear off about the play's use of language, structurally and artistically (great script for Spanish speakers and/or companies looking to utilize the internet in as a living part of their production.)

    What I will say instead is this: "Read it. You'll be glad you did."

    I could tell you that Enferma is populated by complicated people - not characters. I could go on about how this is a truly original work with a roller-coaster plot with plenty of twists and turns that leaves reader satisfied by the end, all loose ends tied by the play's end. I'd talk your ear off about the play's use of language, structurally and artistically (great script for Spanish speakers and/or companies looking to utilize the internet in as a living part of their production.)

    What I will say instead is this: "Read it. You'll be glad you did."

  • Izzy Salant: Enferma

    It's always wonderful to read a play with an original premise and execution, and "Enferma" is no exception. This play is full of witty humor, heartbreaking undertones, and revenge (which I'm always a fan of). Rushing creates a wonderful world for these characters and each plays their part beautifully, and is able to portray sickness in a way where the characters aren't defined by it, but rather it's just part of their character instead of their entirety.

    There is also a wonderful use of Spanish, which just adds another great layer to this already great play.

    It's always wonderful to read a play with an original premise and execution, and "Enferma" is no exception. This play is full of witty humor, heartbreaking undertones, and revenge (which I'm always a fan of). Rushing creates a wonderful world for these characters and each plays their part beautifully, and is able to portray sickness in a way where the characters aren't defined by it, but rather it's just part of their character instead of their entirety.

    There is also a wonderful use of Spanish, which just adds another great layer to this already great play.

View all 5 recommendations

Character Information

  • Violet O'Neill
    Does not speak Spanish very well (yet)
    Character Age
    24
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Raphael "RJ" Jurado / Francisco Juarez
    He does not speak Spanish. However, he doubles as the online persona "Francisco Juarez" who does speak
    Spanish.
    Character Age
    20s
    Character Race/Ethnic Identity
    Latino -- Mexican
    Character Gender Identity
    Male
  • Dr. Andrew Palmer
    He speaks English and Spanish.
    Character Age
    40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Isabella Palmer-Espinoza
    She only speaks spanish.
    Character Age
    30s
    Character Gender Identity
    Female
  • Katie Anderson
    She does not speak Spanish.
    Character Age
    20s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female

Development History

  • Type Reading, Organization Bishop Arts Theatre, Year 2020
  • Type Reading, Organization Fort Worth Community Arts Center's Original Works Series, Year 2020