END OF PLAY.

Rights are available at www.pmwplaywright.com.

Ten-Minute: (2020) A play reading at a theatre conference turns from the play and the playwright to drama and intrigue between the respondents, and as time goes by, we learn that the fundamental things may not apply.

Rights are available at www.pmwplaywright.com.

Ten-Minute: (2020) A play reading at a theatre conference turns from the play and the playwright to drama and intrigue between the respondents, and as time goes by, we learn that the fundamental things may not apply.

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END OF PLAY.

Recommended by

  • Morey Norkin: END OF PLAY.

    As a playwright, you must remember this, when receiving critiques from a play festival or after a reading, the comments may be motivated by hearts full of passion, jealousy, and hate. Philip Middleton Williams skillfully skewers the feedback process and demonstrates why sometimes you really need to take criticism with a large dose of salt. Smart, funny, and so deserving of a spot in any festival.

    As a playwright, you must remember this, when receiving critiques from a play festival or after a reading, the comments may be motivated by hearts full of passion, jealousy, and hate. Philip Middleton Williams skillfully skewers the feedback process and demonstrates why sometimes you really need to take criticism with a large dose of salt. Smart, funny, and so deserving of a spot in any festival.

  • James Perry: END OF PLAY.

    "End of Play" is an engaging and intellectually stimulating work that will leave audiences pondering the nature of art and interpretation. The humor is sharp and biting, often serving as a means to dissect the pretensions and egos of the theatrical world. Williams' keen insight into the complexities of theater culture makes this a winsome and entertaining piece.

    "End of Play" is an engaging and intellectually stimulating work that will leave audiences pondering the nature of art and interpretation. The humor is sharp and biting, often serving as a means to dissect the pretensions and egos of the theatrical world. Williams' keen insight into the complexities of theater culture makes this a winsome and entertaining piece.

  • Jacquelyn Floyd-Priskorn: END OF PLAY.

    Yup. This is actually a great play to read/perform before any playwright endures a reading and feedback session. The respondents all have their own personal baggage they want to toss into the playwright's pages. This play is quite validating in a way. Playwrights, read this and rejoice that you are not alone. Theatres that offer readings with feedback, read this and learn something!

    Yup. This is actually a great play to read/perform before any playwright endures a reading and feedback session. The respondents all have their own personal baggage they want to toss into the playwright's pages. This play is quite validating in a way. Playwrights, read this and rejoice that you are not alone. Theatres that offer readings with feedback, read this and learn something!

View all 31 recommendations

Character Information

Any age, any gender, any ethnicity. The FIVE READERS are optional.
  • Stage Directions
  • Respondent 1
  • Respondent 2
  • Respondent 3
  • Playwright
  • Five Readers
    Optional; they do not speak and exit at the beginning of the play.

Development History

  • Type Reading, Organization New City Players, Miami, FL, Year 2020

Production History