The written introduction to this play (a note on casting, not actually part of the play script) is by itself a monologue that is worthy of performance.
Kebede’s outrageous satire on white power and global dominance is hilarious from beginning to end, first describing the Illuminati’s millennia-long mission to destroy the black race, which evolves into a take on Kafka’s Metamorphosis in which a poor which man wakes up one morning to discover he is a black stereotype, with everything ugly you can metaphorically derive from that. It is a stinging riot.
The written introduction to this play (a note on casting, not actually part of the play script) is by itself a monologue that is worthy of performance.
Kebede’s outrageous satire on white power and global dominance is hilarious from beginning to end, first describing the Illuminati’s millennia-long mission to destroy the black race, which evolves into a take on Kafka’s Metamorphosis in which a poor which man wakes up one morning to discover he is a black stereotype, with everything ugly you can metaphorically derive from that. It is a stinging riot.