The Last Holdouts

by Claude Jackson

The Last Holdouts centers around the relationship between Kio Johns and Billy “Wild Billy” Hardcastle, two holdovers from the “Big Studio” era that made classic Western movies. Billy is making one last Western movie and recruits Kio – a former war hero, current tribal leader as well as a respected actor – to play the Indian chief as he’s done in many other Wild Billy movies in the past. But this is the late 60s...

The Last Holdouts centers around the relationship between Kio Johns and Billy “Wild Billy” Hardcastle, two holdovers from the “Big Studio” era that made classic Western movies. Billy is making one last Western movie and recruits Kio – a former war hero, current tribal leader as well as a respected actor – to play the Indian chief as he’s done in many other Wild Billy movies in the past. But this is the late 60s and Billy is up against changing times. Kio’s daughter, Irene and her friends represent those changing times. Margaret, Kio’s wife is there as the rock of the family and to remind him of his worth beyond those of his portrayals in Wild Billy’s movies, almost cartoonish in retrospect.

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The Last Holdouts

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  • Playwrights Foundation: The Last Holdouts

    Playwrights Foundation enthusiastically recommends this play, THE LAST HOLDOUTS, as a Semi-Finalist for the Bay Area Playwrights Festival 2020. We were moved by the quality of the writing and the relevant and compelling themes that spoke to the mission of our festival. It excelled in a competitive process of 735 plays submitted this year and rose to the top after a six month long process discussing its merits with both national and local Bay Area readers, and we hope it moves swiftly towards production.

    Playwrights Foundation enthusiastically recommends this play, THE LAST HOLDOUTS, as a Semi-Finalist for the Bay Area Playwrights Festival 2020. We were moved by the quality of the writing and the relevant and compelling themes that spoke to the mission of our festival. It excelled in a competitive process of 735 plays submitted this year and rose to the top after a six month long process discussing its merits with both national and local Bay Area readers, and we hope it moves swiftly towards production.

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